{"id":12016,"date":"2026-03-18T15:42:34","date_gmt":"2026-03-18T15:42:34","guid":{"rendered":"https:\/\/www.galeriekrobath.at\/?post_type=person&#038;p=12016"},"modified":"2026-03-27T13:55:35","modified_gmt":"2026-03-27T13:55:35","slug":"marx-stefan","status":"publish","type":"person","link":"https:\/\/www.galeriekrobath.at\/en\/artists\/marx-stefan\/","title":{"rendered":"Marx, Stefan"},"content":{"rendered":"\n<p>lives and works in Berlin, Germany<br><br>born 1979 in Schwalmstadt, Germany<br>2002-2007 Hochschule f\u00fcr angewandte Wissenschaften, Hamburg<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Awards<\/h2>\n\n\n\n<p>2010 Lichtwark Scholarship Hamburg<br>2012 Workscholarship Fine Arts, Kulturbeh\u00f6rde Hamburg<br>2014 Atelier Scholarship Godlbek Hof eV<br>2016 Dashwood Books &amp; Drawing Residency New York City<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>Solo Exhibitions<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-table\"><table><tbody><tr><td>2022<\/td><td>Klasse Gesellschaft (Solo mit Lars Eidinger), Kunsthalle Hamburg (GER)<\/td><\/tr><tr><td>2021<\/td><td>Neuer Aachener Kunstverein (GER)<\/td><\/tr><tr><td><\/td><td>Kunsthalle D\u00fcsseldorf (GER)<\/td><\/tr><tr><td>2020<\/td><td>Stefan Marx, Galerie Karin G\u00fcnther, Hamburg (GER)<\/td><\/tr><tr><td>2019<\/td><td>Another Weekend, Ruttkowski 68, Paris (FR)<\/td><\/tr><tr><td>2018<\/td><td>Memory Palace, St\u00e4dtische Galerie Delmenhorst (GER)<\/td><\/tr><tr><td>2017<\/td><td>Sundaayyysss, Griffelkunst, Hamburg (GER)<\/td><\/tr><tr><td><\/td><td>Bellevue, Ruttkowski 68, Cologne (GER)<\/td><\/tr><tr><td>2016<\/td><td>Romantic Standard, Galerie Karin G\u00fcnther, Hamburg (GER)<\/td><\/tr><tr><td><\/td><td>Flowershop, Galerie Ute Parduhn, D\u00fcsseldorf (GER)<\/td><\/tr><tr><td><\/td><td>Feelings Aren&#8217;t Final, Plus One Gallery, Antwerpen (BEL)<\/td><\/tr><tr><td>2015<\/td><td>Run From The Cops, the Pigs, the Fuzz, the Heat, Kunstverein Offenburg (GER)<\/td><\/tr><tr><td><\/td><td>In Dreams, Ruttkowski 68, K\u00f6ln (GER)<\/td><\/tr><tr><td>2014<\/td><td>The Sanest Days are Mad, SSZ Sued, K\u00f6ln (GER)<\/td><\/tr><tr><td><\/td><td>Stone in the River, Colette Gallery, Paris (FR)<\/td><\/tr><tr><td><\/td><td>New Drawings, 126 Galerie Rennes (FR)<\/td><\/tr><tr><td><\/td><td>Rebel Without a Cause, Galerie Karin G\u00fcnther, Hamburg (GER)<\/td><\/tr><tr><td>2013<\/td><td>Gravity Hits, The Art Part, Byron Bay (AUS)<\/td><\/tr><tr><td>2012<\/td><td>Die Hefte, Galerie Karin G\u00fcnther, Hamburg (GER)<\/td><\/tr><tr><td><\/td><td>Goodbye Mondays, Primetime, New York (USA)<\/td><\/tr><tr><td>2011<\/td><td>Economy Class, Galerie Ute Parduhn, D\u00fcsseldorf (GER)<\/td><\/tr><tr><td><\/td><td>Todenhause, Kasseler Kunstverein (GER)<\/td><\/tr><tr><td>2010<\/td><td>Sentimental Heartbreaking, Galerie Club Michel, Frankfurt (GER)<\/td><\/tr><tr><td><\/td><td>The Houses am Homes seem Quiet, Gerisch Sculpture Park, Neum\u00fcnster (GER)<\/td><\/tr><tr><td><\/td><td>Caribics, Now Idea Gallery, Tokio (JP)<\/td><\/tr><tr><td>2009<\/td><td>PLEEEASE, Kunstverein Hamburg (GER)<\/td><\/tr><tr><td><\/td><td>The New Old Group, Galerie Karin G\u00fcnther (GER) <\/td><\/tr><tr><td>2007<\/td><td>Egyptian Loneliness, Monster Children Gallery, Sydney (AUS)<\/td><\/tr><tr><td><\/td><td>Until Now Goodbye, Don&#8217;t come Gallery, Melbourne (AUS)<\/td><\/tr><tr><td><\/td><td>Welcome To The Second Spliting Of The Atom, Feinkunst Kr\u00fcger, Hamburg (GER)<\/td><\/tr><tr><td>2006<\/td><td>Welcome to wherever you are not, Galerie Hafen+Rand, Hamburg (GER)<\/td><\/tr><\/tbody><\/table><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>Group Exhibitions<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-table\"><table><tbody><tr><td>2022<\/td><td>Alchemie der Stadt, Overbeck Gesellschaft, L\u00fcbeck (DE)<\/td><\/tr><tr><td>2021<\/td><td>Ruttkowski 68, Paris (FR)<\/td><\/tr><tr><td>2020<\/td><td>Ridiculous Drama, Ruttkowski 68, Cologne (GER)<\/td><\/tr><tr><td>2019<\/td><td>Ruhr Ding: Territorien (Urbane K\u00fcnste Ruhr by Britta Peters)<\/td><\/tr><tr><td><\/td><td>I Draw, Daelim Museum, Seoul (KR)<\/td><\/tr><tr><td>2018<\/td><td>Mixed Pickles, Ruttkowski, Berlin\/Cologne (GER)<\/td><\/tr><tr><td><\/td><td>Promo Boys, Ame Nue, Hamburg (GER)<\/td><\/tr><tr><td>2016<\/td><td>Wertical, Ruttkowski 68, Cologne (GER)<\/td><\/tr><tr><td>2015<\/td><td>Zieves Library, Now IDea, Tokyo (JP)<\/td><\/tr><tr><td><\/td><td>A blur, a beautiful blur, Galerie Karin G\u00fcnther, Hamburg (GER)<\/td><\/tr><tr><td>2014<\/td><td>Krankheit als Metapher, Kunsthaus Hamburg (GER)<\/td><\/tr><tr><td><\/td><td>Namaste with Max Frisinger, Galerie Katharina Bittel, Hamburg (GER)<\/td><\/tr><tr><td>2013<\/td><td>Affordable Bananas, Galerie J\u00fcren Becker, Hamburg (GER)<\/td><\/tr><tr><td><\/td><td>Risk Society, MOCA, Taipei (TWN)<\/td><\/tr><tr><td><\/td><td>Die W\u00f6rter in den vier Ecken, Galerie Krobath, Berlin (GER)<\/td><\/tr><tr><td>2012<\/td><td>An Example of an Installation, Now IDea, Tokyo (JP)<\/td><\/tr><tr><td><\/td><td>To Begin is to be Half Done, Busan Station (KR)<\/td><\/tr><tr><td><\/td><td>The Kids Are Alright, Kunsthal Rotterdam (NL)<\/td><\/tr><tr><td><\/td><td>Wer zur\u00fcck bleibt, wird zur\u00fcck gelassen, Kunstverein St. Pauli (GER)<\/td><\/tr><tr><td>2011<\/td><td>Fantastique \u00c9lastique, Galerie Francesa Pia, Z\u00fcrich (CH)<\/td><\/tr><tr><td>2010<\/td><td>DRAW, Monster Children Gallery, Sydney (AUS)<\/td><\/tr><tr><td><\/td><td>Disorder Disorder, Penrith Regional Gallery<\/td><\/tr><tr><td><\/td><td>Caribics, Now idea Gallery, Tokyo (JP)<\/td><\/tr><tr><td><\/td><td>Wo ist der Wind, wenn er nicht weht?, Kunstverein Hamburg (GER)<\/td><\/tr><tr><td>2009<\/td><td>Mehr als ein T-Shirt, Kunstverein Bielefeld (GER)<\/td><\/tr><tr><td><\/td><td>Genesis, Chapter One, London (GB)<\/td><\/tr><tr><td>2008<\/td><td>Vertrautes terrain, Resonanz Raum ZKM Karlsruhe (GER)<\/td><\/tr><tr><td><\/td><td>ich wei\u00df nicht wer wen vermisst, Galerie Hafenrad, Hamburg (GER)<\/td><\/tr><tr><td>2007<\/td><td>Von A bis O, Galerie J\u00fcrgen Becker, Hamburg (GER)<\/td><\/tr><tr><td>2006<\/td><td>Le Boxx, Malm\u00f6 (SWE)<\/td><\/tr><tr><td>2005<\/td><td>The Banjo People, 88b Gallery London (GB)<\/td><\/tr><tr><td>2004<\/td><td>INDEX 04, Kunsthaus Hamburg (GER)<\/td><\/tr><tr><td><\/td><td>Moving Units, London (GB)<\/td><\/tr><tr><td>2003<\/td><td>INDEX 03, Kunsthaus Hamburg (GER)<\/td><\/tr><tr><td><\/td><td>Sideeffects of Urethane, London (GB)<\/td><\/tr><\/tbody><\/table><\/figure>\n<\/div>\n<\/div>\n","protected":false},"featured_media":12163,"template":"","class_list":["post-12016","person","type-person","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.galeriekrobath.at\/en\/wp-json\/wp\/v2\/person\/12016","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.galeriekrobath.at\/en\/wp-json\/wp\/v2\/person"}],"about":[{"href":"https:\/\/www.galeriekrobath.at\/en\/wp-json\/wp\/v2\/types\/person"}],"version-history":[{"count":4,"href":"https:\/\/www.galeriekrobath.at\/en\/wp-json\/wp\/v2\/person\/12016\/revisions"}],"predecessor-version":[{"id":12206,"href":"https:\/\/www.galeriekrobath.at\/en\/wp-json\/wp\/v2\/person\/12016\/revisions\/12206"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.galeriekrobath.at\/en\/wp-json\/wp\/v2\/media\/12163"}],"wp:attachment":[{"href":"https:\/\/www.galeriekrobath.at\/en\/wp-json\/wp\/v2\/media?parent=12016"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}