{"id":1235,"date":"2021-05-26T12:45:59","date_gmt":"2021-05-26T12:45:59","guid":{"rendered":"https:\/\/neu.galeriekrobath.at\/artists\/kovanda-jiri\/"},"modified":"2022-10-11T11:19:19","modified_gmt":"2022-10-11T11:19:19","slug":"kovanda-jiri","status":"publish","type":"person","link":"https:\/\/www.galeriekrobath.at\/en\/artists\/kovanda-jiri\/","title":{"rendered":"Kovanda, Ji\u0159\u00ed"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">Ji\u0159\u00ed Kovanda<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Lives and works in Prague, Czech Republic.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>1953<\/strong> born in Prague, Czech Republic<br><strong>Since 1995<\/strong> Professor at the Academy of Fine Arts, Prague<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\">Solo Exhibitions (Selection)<\/h2>\n\n\n\n<figure class=\"wp-block-table\"><table><tbody><tr><td>2020<\/td><td>&#8220;Ten Minutes Earlier&#8221;, Fait Gallery Brno, CZ.<\/td><\/tr><tr><td>2019<\/td><td>&#8220;Somebody sitting there&#8221; gb Agency, Paris,F.<\/td><\/tr><tr><td><\/td><td>&#8220;Jir\u00ed Kovanda, Planetarium&#8221;, Trafostacja Sztuki w Szczecinie, Szczecin<\/td><\/tr><tr><td>2017<\/td><td>Lulu, Mexico<\/td><\/tr><tr><td><\/td><td>Solo show, until Aug. 12th<\/td><\/tr><tr><td><\/td><td>Jiri Kovanda, House in Motion, Zahorian &amp; van Espen Gallery, Bratislava<\/td><\/tr><tr><td>2016<\/td><td>&#8220;JI\u0158\u00cd KOVANDA. ANTI-HEROISM AND RESISTANCE&#8221;, MNAC &#8211; National Museum of Contemporary Art, Bukarest\n<\/td><\/tr><tr><td>2015<\/td><td>&#8220;Jiri Kovanda&#8221;, daadgalerie Berlin<\/td><\/tr><tr><td><\/td><td>&#8220;Jiri Kovanda gegen den Rest der Welt&#8221;, Tschechisches Zentrum Berlin<\/td><\/tr><tr><td>2014<\/td><td>&#8220;Ji\u0159\u00ed Kovanda: Je\u0161t\u011b jsem tu nebyl&#8221;, Brno House of Art<\/td><\/tr><tr><td>2013<\/td><td>&#8220;Ji\u0159\u00ed Kovanda. &#8216;I haven\u2019t been here yet&#8217;\u201d MWW Wroclaw Contemporary Museum<\/td><\/tr><tr><td><\/td><td>\u201eJi\u0159\u00ed Kovanda\u201c, Krobath Wien, Vienna<\/td><\/tr><tr><td><\/td><td>&#8220;Ji\u0159\u00ed Kovanda. Two golden rings&#8221;, Palacio de Cristal, Retiro Park, Madrid <\/td><\/tr><tr><td><\/td><td>\u201eEight Sculptures and One Woman\u201c, SVIT Praha, Prague<\/td><\/tr><tr><td>2012<\/td><td>&#8220;Ji\u0159\u00ed Kovanda&#8221;, gb agency, Paris<\/td><\/tr><tr><td><\/td><td>&#8220;Dos amillos dorados&#8221;, Museo Nacional, Centro de Arte, Palacio de Cristal, Reina Sofia, Madrid<\/td><\/tr><tr><td><\/td><td>&#8220;Ji\u0159\u00ed Kovanda&#8221;, Arsenal Gallery, Bialystok, Polen<\/td><\/tr><tr><td>2011<\/td><td>&#8220;The Nervous System&#8221; (mit Zbyn\u011bk Baladr\u00e1n), Kunstverein, Mailand<\/td><\/tr><tr><td><\/td><td>&#8220;Wait, Please, She Will Come&#8221;, gb agency, Paris<\/td><\/tr><tr><td><\/td><td>Katalog, Gallery of Visual Arts Cheb, Tschechien<\/td><\/tr><tr><td>2010\t<\/td><td>&#8220;White Blanket&#8221;, Secession, Wien<\/td><\/tr><tr><td>2009\t<\/td><td>Krobath, Wien<\/td><\/tr><tr><td><\/td><td>Krobath, Berlin <\/td><\/tr><tr><td><\/td><td>&#8220;Ji\u0159\u00ed Kovanda &#8211; 1,2,3&#8221;, Wallspace, New York<\/td><\/tr><tr><td><\/td><td>&#8220;Ji\u0159\u00ed Kovanda &#8211; 1,2,3&#8221;, Andrew Kreps Gallery, New York<\/td><\/tr><tr><td><\/td><td>Ludlow 38, New York, USA (mit J. Koller) <\/td><\/tr><tr><td>2008<\/td><td>&#8220;Ji\u0159\u00ed Kovanda: Actions and Interventions&#8221;, Art Projects, gb agency, Art Basel Miami Beach, Miami\t<\/td><\/tr><tr><td><\/td><td>&#8220;Pink Carpet&#8221;, CGAC &#8211; Centro Galego de Arte Contempor\u00e1nea \/ Museum of Contemporary Art, Santiago di Compostela<\/td><\/tr><tr><td><\/td><td>&#8220;Ji\u0159\u00ed Kovanda &#8211; Killing The Blues&#8221;, Galerie ad astra, Ku\u0159im<\/td><\/tr><tr><td><\/td><td>&#8220;Ji\u0159i Kovanda \u2013 Resistance&#8221;, DOMINIK ART PROJECTS, Krakau<\/td><\/tr><tr><td><\/td><td>&#8220;Als ich klein war, spielte ich mit den M\u00e4dchen&#8221; | &#8220;When I was a little boy, I used to play with girls&#8221;, GKK &#8211; Galerie Klatovy \/ Klenov\u00e1, Klenov\u00e1<\/td><\/tr><tr><td><\/td><td>&#8220;Two Cushions&#8221;, GB &#8211; Agency, Paris<\/td><\/tr><tr><td><\/td><td>&#8220;Stains&#8221;, Gallery Futura, Prag (mit E. Kotatkova)<\/td><\/tr><tr><td><\/td><td>&#8220;Golden Ring&#8221;, Gallery Zdenek Sklenar, Prag<\/td><\/tr><tr><td><\/td><td>&#8220;Windows, Fishes, Geraniums&#8221;, Gallery 5. patro, Prag<\/td><\/tr><tr><td><\/td><td>&#8220;Resistance&#8221;, Dominik Art Edition, Krakow, Polen<\/td><\/tr><tr><td><\/td><td>&#8220;Kissing through Glass&#8221; (Performance), Frac Lorraine, Metz<\/td><\/tr><tr><td><\/td><td>&#8220;Killing The Blue&#8221;s, Galerie ad astra, Kurim<\/td><\/tr><tr><td>2007<\/td><td>&#8220;Jiri Kovanda versus the Rest of the World&#8221;, Centre d\u2019Art Santa Monica, Barcelona<\/td><\/tr><tr><td><\/td><td>&#8220;Jiri Kovanda VS Reste du monde&#8221;, Centre d\u2019Art Passerelle, Brest<\/td><\/tr><tr><td><\/td><td>Galerie Krobath Wimmer, Wien<\/td><\/tr><tr><td><\/td><td>GB-Agency, Paris<\/td><\/tr><tr><td><\/td><td>Moravska galerie, Br\u00fcnn<\/td><\/tr><tr><td><\/td><td>Performance, Tate Gallery, London <\/td><\/tr><tr><td><\/td><td>&#8220;Situations&#8221; &#8211; Performances in De Appel:&#8221; Jiri Kovanda vs The Rest of The World&#8221;, De Appel, Amsterdam<\/td><\/tr><tr><td><\/td><td>&#8220;Untitled&#8221;, Vernon Project, Prag<\/td><\/tr><tr><td><\/td><td>Johnen Gallery, Berlin (mit J. Merta)<\/td><\/tr><tr><td>2006<\/td><td>&#8220;Jiri Kovanda VS Reste du monde&#8221; (Tentatives de Rapprochement), gb agency, Paris<\/td><\/tr><tr><td><\/td><td>&#8220;Rad\u0161i bych byl and\u011blem&#8221;, Studio of Josef Sudek, Prag<\/td><\/tr><tr><td><\/td><td>&#8220;The First Kovanda\u2019s Retrospective&#8221;, Gallery Zdenek Sklenar, Prag<\/td><\/tr><tr><td><\/td><td>Galerie Na bidylku, Brno (mit G. J. Dokoupil)<\/td><\/tr><tr><td><\/td><td>Index, Stockholm, Schweden (mit  J. Koller)<\/td><\/tr><tr><td><\/td><td>Galerie Krobath Wimmer, Wien<\/td><\/tr><tr><td><\/td><td>Gallery Jeleni, Prag<\/td><\/tr><tr><td>2005<\/td><td>&#8220;From the Third Side&#8221;, D\u016fm Um\u0115n\u00ed &#8211; House of Arts, \u010cesk\u00e9 Bud\u011bjovice<\/td><\/tr><tr><td><\/td><td>&#8220;I Hunted for Zoo&#8221;, A.M. 180, Prag<\/td><\/tr><tr><td>2004<\/td><td>&#8220;I am not Against&#8221;, House of Lords of Kunstat, Br\u00fcnn<\/td><\/tr><tr><td><\/td><td>&#8220;The Second Half&#8221;, Gallery Sternberk, Sternberk<\/td><\/tr><tr><td>2002<\/td><td>Open Gallery, Bratislava (mit D. Lehocka)<\/td><\/tr><tr><td><\/td><td>Gallery Na bidylku, Brno (mit  J. Mancuska)<\/td><\/tr><tr><td>2000<\/td><td>&#8220;Sunflower&#8221;, AP Atelier, Prag<\/td><\/tr><tr><td>1999<\/td><td>&#8220;Drawings 1970\u20131999&#8221;, Gallery Na bidylku, Br\u00fcnn<\/td><\/tr><tr><td>1998<\/td><td>&#8220;A Favourable Moment&#8221;, Gallery MXM, Prag<\/td><\/tr><tr><td>1997<\/td><td>&#8220;Nina at Work&#8221;, Gallery Mala Spalovka, Prag<\/td><\/tr><tr><td>1996<\/td><td>Gallery Caesar, Olm\u00fctz<\/td><\/tr><tr><td><\/td><td>Gallery 761, Ostrava<\/td><\/tr><tr><td><\/td><td>&#8220;White Food&#8221;, Gallery MXM, Prag | Prague (mit V. Skrepl)<\/td><\/tr><tr><td>1995<\/td><td>Gallery MXM, Prag<\/td><\/tr><tr><td><\/td><td>Forum Stadtpark, Graz (mit V. Skrepl)<\/td><\/tr><tr><td>1994<\/td><td>Gallery of J. Kral, House of Art, Br\u00fcnn<\/td><\/tr><tr><td>1993<\/td><td>Gallery Na bidylku, Br\u00fcnn<\/td><\/tr><tr><td>1992<\/td><td>Gallery MXM, Prag | Prague (mit M. Dopitova)<\/td><\/tr><tr><td>1991<\/td><td>Neue Galerie am Landesmuseum Joanneum <\/td><\/tr><tr><td>1990<\/td><td>Gallery Pohlhammer, Steyr (mit G. Hosovsky and L. Teren)<\/td><\/tr><tr><td>1989<\/td><td>Cultural Center Opatov, Prag<\/td><\/tr><tr><td>1988<\/td><td>Little Exhibition Hall, Reichenberg, Liberec (mit M. John und V. Skrepl)<\/td><\/tr><tr><td>1984<\/td><td>Futurum, Prag<\/td><\/tr><tr><td>1976<\/td><td>Gallery Mospan, Warschau<\/td><\/tr><\/tbody><\/table><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\">Group Exhibitions (Selection)<\/h2>\n\n\n\n<figure class=\"wp-block-table\"><table><tbody><tr><td>2019<\/td><td>&#8220;Prince.sse.s des Villes&#8221;, Palais de Tokyo, Paris<\/td><\/tr><tr><td><\/td><td>&#8220;Someone Walking Around&#8221;, Fundaci\u00f3n Antoni T\u00e0pies, Barcelona <\/td><\/tr><tr><td>2017<\/td><td>CS Conceptual Art of the 70s, Fait Gallery, Brno.<\/td><\/tr><tr><td><\/td><td>(Re) ouverture, Mus\u00e9e d&#8217;Art, Nantes.<\/td><\/tr><tr><td><\/td><td>Spectre du surr\u00e9alisme, Rencontres Photographiques d&#8217;Arles, Arles.<\/td><\/tr><tr><td><\/td><td>Medium: Figure, Prague City Gallery, Colloredo-Mansfeld Palace, Praha.<\/td><\/tr><tr><td><\/td><td>O strachu, co pr\u00edde, Vychodoslovenska galeria, Kosice.<\/td><\/tr><tr><td><\/td><td>Okamzite chramy, Muzeum Modern\u00edho Umeni, Olomouc.<\/td><\/tr><tr><td><\/td><td>Villa Tugenhat, Villa Tugendhat, Brno.<\/td><\/tr><tr><td><\/td><td>The Shyness of the Crowns, 49 Nord 6 Est, Frac Lorraine, Metz.<\/td><\/tr><tr><td><\/td><td>Soixantedixsept #1, Parc Culturel de Rentilly, Bussy Saint Martin.<\/td><\/tr><tr><td><\/td><td>Waiting, Between Power and Possibility, Hamburger Kunsthalle, Hamburg.<\/td><\/tr><tr><td><\/td><td>Self-organization, Fundacio Joan Miro, Barcelona.<\/td><\/tr><tr><td><\/td><td>My sweet little lamb (Everything we see could also be otherwise), The 4th episode, Kontakt Art Collection, Curated by What, How &amp; for Whom\/WHW in collaboration with Kathrin Rhomberg, Apartment Softi\u0107, Gallery Forum, GMK, Gallery Nova, Institute for Contemporary Art, Zagreb.<\/td><\/tr><tr><td><\/td><td>What Is Not Visible Is Not Invisible, Selected artworks from the French Regional Collections of Contemporary Art (FRAC), National Museum, Singapore.<\/td><\/tr><tr><td><\/td><td>2000 + 16 \/ 3 + 1 2000 + 16 \/ 3 + 1, with Karel Miler, Petr Stembera, Jan Mlcoch, Jiri Kovanda, AP Atelier, Praha. <\/td><\/tr><tr><td>2016<\/td><td>&#8220;THIRD MIND. Ji\u0159\u00ed Kovanda and the (Im)Possibility of Collaboration&#8221;,Nationalgalerie Prag Kurator: Adam Budak <\/td><\/tr><tr><td>2014<\/td><td>&#8220;For Your Eyes Only&#8221;, Fait Gallery, Brno<\/td><\/tr><tr><td><\/td><td>&#8220;Art as a Verb&#8221;, MUMA, Monash University Museum of Art, Melbounre<\/td><\/tr><tr><td>2013<\/td><td>&#8220;Minutov\u00e9 Romany \/ Minute Novels. Imre Bukta, Lubomir Duracek, Jiri Kovanda&#8221;, Central Slovakian Gallery Banska Bystrica<\/td><\/tr><tr><td><\/td><td>&#8220;Hanging Sleeves, Hiding Hands&#8221;, Eva Kot\u00e1tkov\u00e1 &amp; Ji\u0159\u00ed Kovanda, Krobath Wien<\/td><\/tr><tr><td><\/td><td>&#8220;Palacio de Cristal (Parque del Retiro)&#8221;, organized by Museo Nacional Centro de Arte Reina Sof\u00eda, Madrid<\/td><\/tr><tr><td><\/td><td>&#8220;Individual Order&#8221;, KARST, Plymouth<\/td><\/tr><tr><td><\/td><td>&#8220;The Earth turns and all things slip away&#8221;, Hunt Kastner, Prag<\/td><\/tr><tr><td>2012<\/td><td>&#8220;Archives of Something Like the Everyday&#8221;, National Gallery of Art, Vilnius<\/td><\/tr><tr><td><\/td><td>&#8220;Jiri Kovanda&#8217;s Art Gallery Walk&#8221;, Gallery3, The Whitley Arts Festival, Whitley<\/td><\/tr><tr><td><\/td><td>&#8220;This is a special blackout edition!&#8221;, Kadist Art Foundation, Paris<\/td><\/tr><tr><td><\/td><td>&#8220;Containing The Possible&#8221;, Pippy Houldsworth Gallery, London<\/td><\/tr><tr><td><\/td><td>&#8220;From an object\u2019s point of view&#8221;, Murray Guy, New York<\/td><\/tr><tr><td><\/td><td>&#8220;Collaborations &amp; Interventions&#8221; , A project by Friederike Nymphius, Berlin, Kunsthalle Andratx, Mallorca<\/td><\/tr><tr><td><\/td><td>&#8220;Ab in die Ecke!&#8221;, St\u00e4dtische Galerie Delmenhorst, Delmenhorst<\/td><\/tr><tr><td><\/td><td>&#8220;Paramor&#8221;, Frac des Pays de la Loire, Carquefou<\/td><\/tr><tr><td><\/td><td>&#8220;Reversibility, A Theatre of De-Creation&#8221;, Chapter III, Peep-Hole with CAC Br\u00e9tigny, Mailand<\/td><\/tr><tr><td><\/td><td>&#8220;The Unexpected Guest&#8221;, 7th Liverpool Biennial of Contemporary Art, Liverpool<\/td><\/tr><tr><td><\/td><td>&#8220;A imin\u00eancia das po\u00e9ticas&#8221; (&#8220;The Imminence of Poetics&#8221;), 30th S\u00e3o Paulo Biennial, S\u00e3o Paulo<\/td><\/tr><tr><td><\/td><td>&#8220;It is what it is. Or is it?&#8221;, Contemporary Arts Museum, Houston<\/td><\/tr><tr><td><\/td><td>&#8220;Foreign Excursions&#8221;, McKee Gallery, New York<\/td><\/tr><tr><td><\/td><td>&#8220;Positions on Conceptual Art&#8221;, Galerie R\u00fcdiger Sch\u00f6ttle, M\u00fcnchen<\/td><\/tr><tr><td>2011<\/td><td>&#8220;Performances&#8221;, Fiac, gb agency, Auditorium Grand Palais, Paris<\/td><\/tr><tr><td><\/td><td>&#8220;Museum of Parallel Narratives. In the framework of L\u2019Internationale&#8221;, MACBA Barcelona<\/td><\/tr><tr><td><\/td><td>&#8220;O&#8221;, Redongreen Gallery, Dublin<\/td><\/tr><tr><td><\/td><td>&#8220;Ostalgia&#8221;, New Museum, New York<\/td><\/tr><tr><td><\/td><td>&#8220;The Encounter&#8221;, Jan Mot, Brussels<\/td><\/tr><tr><td><\/td><td>&#8220;Nul si d\u00e9couvert&#8221;, Erudition Concr\u00e8te 4, Le Plateau, Paris<\/td><\/tr><tr><td><\/td><td>&#8220;Why do you resist? Forms of Resistance in Contemporary Art&#8221;, Arsenal Gallery, Bialystok, Polen<\/td><\/tr><tr><td><\/td><td>&#8220;M\u00e9dium&#8221;, Galerie Rudolfinum, Praha<\/td><\/tr><tr><td><\/td><td>&#8220;Gone to Croatan \u2013 Strategien des Verschwindens&#8221;, hartware medien kunst verein, Dortmund<\/td><\/tr><tr><td><\/td><td>&#8220;Why do you resist? Forms of Resistance in Contemporary art&#8221;, Arsenal Gallery Bialystok, Polen<\/td><\/tr><tr><td><\/td><td>&#8220;Bob Dylan, Bob Dylan, Boba Dylana&#8221; (mit Nina Beier und Marie Lund), DOX Centre for Contemporary Art, Praha<\/td><\/tr><tr><td>2010<\/td><td>&#8220;&#8230;and Don`t Forget the Flowers&#8221;, Moravian Gallery, Brno, CZE <\/td><\/tr><tr><td><\/td><td>&#8220;Der ideale Ort, um mit der Freiheit unter vier Augen zu sprechen&#8221;, K\u00fcnstlerhaus Bremen<\/td><\/tr><tr><td><\/td><td>&#8220;Traler Park, Opere dalla Fondazione Morra Greco&#8221;, Teatro Margherita,\u2008Bari<\/td><\/tr><tr><td><\/td><td>&#8220;Malerei: Prozess und Expansion \u2013 Von den 1950er Jahren bis heute&#8221;,<\/td><\/tr><tr><td><\/td><td>MUMOK, Museum Moderner Kunst Stiftung Ludwig Wien<\/td><\/tr><tr><td><\/td><td>&#8220;A Walk around the Block&#8221;, Centre d\u2019art contemporain de la Ferme du Buisson, Noisiel<\/td><\/tr><tr><td><\/td><td>&#8220;Ji\u0159\u00ed Kovanda, Roman Ond\u00e1k, J\u00falius Koller&#8221;, Art Feature, gb agency, Art Basel, Basel<\/td><\/tr><tr><td><\/td><td>&#8220;Within the Shadow of a Doubt&#8221;, Frac Lorraine, Metz<\/td><\/tr><tr><td><\/td><td>&#8220;High Ideals &amp; Crazy Dreams&#8221;, Vera Munro, Hamburg<\/td><\/tr><tr><td><\/td><td>&#8220;Why do you resist?&#8221;, Pori Art Museum, Pori<\/td><\/tr><tr><td><\/td><td>&#8220;Les Promesses du pass\u00e9&#8221;, Centre Pompidou, Paris<\/td><\/tr><tr><td><\/td><td>&#8220;Creating of Worlds&#8221;, Galerie Emila Filly, Ust\u00ed nad Labem<\/td><\/tr><tr><td><\/td><td>&#8220;Double Bind \/ Arr\u00eatez d\u2019essayer de me comprendre!&#8221;, Villa Arson, Nizza<\/td><\/tr><tr><td><\/td><td>&#8220;Monument to Transformation&#8221;, Galerija Miroslav Kraljevi\u010d, Zagreb<\/td><\/tr><tr><td><\/td><td>&#8220;If Space Meant Nothing&#8221;, Condotto C, Rom<\/td><\/tr><tr><td><\/td><td>&#8220;Che cosa sono le nuvole?&#8221;, Museion, Bolzano<\/td><\/tr><tr><td><\/td><td>&#8220;City Dreamers&#8221;, Galerie Emila Filly, Usti nad Labem<\/td><\/tr><tr><td>2009<\/td><td>&#8220;When attitudes\u2026&#8221;, The Printemps de Septembre \u2013 \u00e0 Toulouse. Festival de cr\u00e9ation contemporaine, Espace Croix-Baragnon, Toulouse<\/td><\/tr><tr><td><\/td><td>&#8220;40 Lives of One Space&#8221;, 3. Moscow Biennale of Contemporary Art, former Red October chocolate factory \/ Confectionary Hall, Moskau<\/td><\/tr><tr><td><\/td><td>&#8220;Historical Work &#8211; Vil\u00e9m Kabzan, Ji\u0159\u00ed Kovanda, Marek Meduna, Michal P\u011bchou\u010dek, Pavel Sterec, Ji\u0159\u00ed Th\u00fdn, Tom\u00e1\u0161 Van\u011bk&#8221;, Galerie V\u00e1clava \u0160p\u00e1ly, Prag<\/td><\/tr><tr><td><\/td><td>&#8220;IT RESTS BY CHANGING &#8211; Rolf Julius, Ji\u0159\u00ed Kovanda, Roman Signer, Franz Erhard Walther&#8221;, Galeria Raffaella Cortese, Mailand<\/td><\/tr><tr><td><\/td><td>&#8220;Pi\u00e8ces des r\u00e9sistance: Forman von Widerstand in der zeitgen\u00f6ssischen Kunst&#8221;, Kunstmuseum Thun<\/td><\/tr><tr><td><\/td><td>&#8220;Ohne Uns!&#8221;, Motorenhalle, Dresden<\/td><\/tr><tr><td><\/td><td>&#8220;Energy and Proces (Landscape and Action)&#8221;, Tate Modern, London<\/td><\/tr><tr><td><\/td><td>&#8220;In\u00e9ditos 2009 \/ A la vuelta de la esquina&#8221;, La Casa Encendida, Madrid<\/td><\/tr><tr><td><\/td><td>&#8220;Any-Instant-Whatever&#8221;, Bunkier sztuki, Krakau<\/td><\/tr><tr><td><\/td><td>&#8220;Very Simple Actions without Any Particular Purpose&#8221;, Artra, Mailand<\/td><\/tr><tr><td><\/td><td>&#8220;Tschechische Fotografie des 20. Jahrhunderts&#8221;, Kunst- und Ausstellungshalle der BRD, Bonn<\/td><\/tr><tr><td><\/td><td>&#8220;FLOWER POWER&#8221;, Craa &#8211; Centro di ricerca arte attuale Villa Giulia, Verbania<\/td><\/tr><tr><td><\/td><td>&#8220;Julius Koller &amp; Jiri Kovanda&#8221;, Ludlow 38, New York<\/td><\/tr><tr><td><\/td><td>&#8220;The Death of the Audience&#8221;, Secession, Wien<\/td><\/tr><tr><td><\/td><td>&#8220;Gone to Croatan&#8221;, Centre of Contemporary Art, Torun<\/td><\/tr><tr><td><\/td><td>&#8220;Monument of Transformation&#8221;, City Gallery, Prag<\/td><\/tr><tr><td><\/td><td>&#8220;Ji\u0159\u00ed Kovanda \u2013 Hommage an J\u00falius Koller (1939\u20132007)&#8221;, Tschechisches Zentrum, Wien<\/td><\/tr><tr><td><\/td><td>&#8220;Minimal Shift&#8221;, Galeria Jana Koniarka, Tyrnau<\/td><\/tr><tr><td><\/td><td>&#8220;Performing the East&#8221;, Kunstverein Salzburg<\/td><\/tr><tr><td><\/td><td>&#8220;After the Velvet&#8221;, Galerie hlavniho mesta Prahy, Prag<\/td><\/tr><tr><td><\/td><td>&#8220;UFF&#8221;, Muzeum architektury, Breslau<\/td><\/tr><tr><td>2008<\/td><td>&#8220;All The Best: Nina Beier and Marie Lund&#8221;, Gallery One One One, London<\/td><\/tr><tr><td><\/td><td>Art Sheffield 08 \u2013 &#8220;Yes, No &amp; Other Options&#8221;, Situ Gallery, Sheffield<\/td><\/tr><tr><td><\/td><td>&#8220;You Are My Mirror 1: L\u2019Infamille,&#8221; FRAC Centre Lorraine, Metz <\/td><\/tr><tr><td><\/td><td>&#8220;La Foule \/ Z\u00e9ro\u2013Infini&#8221;, Espace d\u2019Art Contemporain la T\u00f4lerie, Clermond Ferrand<\/td><\/tr><tr><td><\/td><td>Michel de Certeau, OUI, Grenoble<\/td><\/tr><tr><td><\/td><td>&#8220;Fetish versus Evocation&#8221;, Galerie der Hochschule f\u00fcr Bildende K\u00fcnste, Braunschweig<\/td><\/tr><tr><td><\/td><td>&#8220;Crossing 68\/89&#8221;, Akademie der K\u00fcnste, Berlin<\/td><\/tr><tr><td><\/td><td>&#8220;Between Concept and Action&#8221;, Galleria Sonia Rosso, Turin<\/td><\/tr><tr><td><\/td><td>&#8220;Mind Expanders&#8221;, Mumok &#8211; Museum moderner Kunst Stiftung Ludwig Wien, Wien<\/td><\/tr><tr><td><\/td><td>&#8220;Collection premier mouvement. Des contes, des images, quelques tableaux et un th\u00e9atre invisible&#8221;, Mus\u00e9e D\u00e9partemental d\u2019Art Contemporain, Chateau de Rochechouart <\/td><\/tr><tr><td><\/td><td>&#8220;S\u00e9curit\u00e9 Qualit\u00e9 Pr\u00e9cision Innovation Modernit\u00e9&#8221;, Abbaye du Ronceray, Angers<\/td><\/tr><tr><td><\/td><td>&#8220;Why Here Is Always Somewhere Else&#8221;, Badischer Kunstverein, Karlsruhe<\/td><\/tr><tr><td><\/td><td>&#8220;Playtime&#8221;, B\u00e9tonsalon, Paris<\/td><\/tr><tr><td><\/td><td>&#8220;Curator Curator #2: What is my name&#8221;, HISK, Gent<\/td><\/tr><tr><td><\/td><td>&#8220;\u2026No Places No Frontiers\u2026&#8221;, Dominik Art Projects, Krakau<\/td><\/tr><tr><td>2007<\/td><td>&#8220;R\u00dcCKBLENDE&#8221;, Neue Galerie am Landesmuseum Joanneum, Graz <\/td><\/tr><tr><td><\/td><td>&#8220;auch nicht und nur das&#8221;, Arthotek M\u00fcnchen, M\u00fcnchen<\/td><\/tr><tr><td><\/td><td>&#8220;With Only Exceptions New&#8221;, Wannieck Gallery, Br\u00fcnn<\/td><\/tr><tr><td><\/td><td>&#8220;Why do you Resist&#8221;, Forum Stadtpark, Graz<\/td><\/tr><tr><td><\/td><td>&#8220;Pleskot&#8221;, Zdenek Sklenar Gallery, Prag<\/td><\/tr><tr><td><\/td><td>&#8220;Tomas Cisarovsky, Ji\u0159\u00ed Kovanda, Petr Pastrnak&#8221;, Fifth Floor Gallery, Prag<\/td><\/tr><tr><td><\/td><td>&#8220;Why do you Resist&#8221;, Emil Filla Gallery, Usti nad Labem<\/td><\/tr><tr><td><\/td><td>documenta 12, Fridericianum, Kassel<\/td><\/tr><tr><td><\/td><td>&#8220;Intocable (el ideal de la trasparencia)&#8221;, Museo Patio Herreriano, Valladolid<\/td><\/tr><tr><td><\/td><td>&#8220;Czech Contemporary Art from the Collection of Richard Adam&#8221;, Wannieck Gallery, Br\u00fcnn<\/td><\/tr><tr><td><\/td><td>&#8220;Invisible Things&#8221;, Trafo Gallery, Budapest<\/td><\/tr><tr><td><\/td><td>&#8220;Tanzen Sehen&#8221;, Museum f\u00fcr Gegenwartskunst, Siegen<\/td><\/tr><tr><td><\/td><td>&#8220;Contacts 2007&#8221;, Galerie Klatovy \/ Klenov\u00e1, Klenov\u00e1<\/td><\/tr><tr><td><\/td><td>&#8220;Form Follows\u2026 Risk&#8221;, Futura Prag und Slovak National Gallery, Bratislava<\/td><\/tr><tr><td><\/td><td>&#8220;Actions and Interruptions&#8221;, Tate Modern, London <\/td><\/tr><tr><td><\/td><td>&#8220;A CDEFGHIJK MNOPQ STUV Z&#8221;, Frac Ile de France, Le Plateau, Paris<\/td><\/tr><tr><td><\/td><td>&#8220;Claydon, J\u00fcrgensen, Kovanda, Reyle, Veilhan&#8221;, Galerie R\u00fcdiger Sch\u00f6ttle, M\u00fcnchen<\/td><\/tr><tr><td><\/td><td>3rd Prag Biennale, Karlin Hall, Prag<\/td><\/tr><tr><td><\/td><td>&#8220;GALERIE. FOCUS WIEN&#8221;, Kunstraum Innsbruck<\/td><\/tr><tr><td><\/td><td>&#8220;Some Time Waiting&#8221;, Kadist Art Foundation, Paris<\/td><\/tr><tr><td><\/td><td>&#8220;Heretic and Co. \/ Golden City&#8221;, Ji\u0159\u00ed Svestka Gallery, Prag<\/td><\/tr><tr><td><\/td><td>&#8220;KONTAKT Belgrade&#8230;works from the Collection of Erste Bank Group&#8221;, Museum of Contemporary Art, Belgrad<\/td><\/tr><tr><td><\/td><td>&#8220;Ver bailar. Dialogo entre la danza y las bellas artes&#8221;, Centro Andaluz de Arte Contempo\u00e1neo, Sevilla<\/td><\/tr><tr><td>2006<\/td><td>&#8220;Tranzit &#8211; Auditorium, Stage, Backstage &#8211; Eine Ausstellung in 32 Szenen&#8221;, Frankfurt am Main Replaced, Barbara Kl\u00edmov\u00e1, Br\u00fcnn<\/td><\/tr><tr><td><\/td><td>Galerie Na bidylku, Br\u00fcnn (mit G. J. Dokoupil) <\/td><\/tr><tr><td><\/td><td>&#8220;More Stories on Absence&#8221;, Extra City, Antwerpen<\/td><\/tr><tr><td><\/td><td>&#8220;I (ICH)&#8221;, Galerie, Grafisches Kabinett, Secession, Wien<\/td><\/tr><tr><td><\/td><td>&#8220;Pozvao sam par prijatelja da bace pogled&#8221;, Galerija Miroslav Kraljevi\u010d &amp; Galerija Nova, Zagreb<\/td><\/tr><tr><td><\/td><td>&#8220;J\u00e1 \/ I&#8221;, Futura, Prag<\/td><\/tr><tr><td><\/td><td>&#8220;Get Together&#8221;, Galerija Skuc, Laibach<\/td><\/tr><tr><td><\/td><td>&#8220;Grey Zone&#8221;s, Galerie f\u00fcr zeitgen\u00f6ssische Kunst, Leipzig<\/td><\/tr><tr><td><\/td><td>&#8220;Narrow Focus&#8221;, Gallery Futura, Prag<\/td><\/tr><tr><td><\/td><td>&#8220;Kontakt&#8221;, MUMOK &#8211; Museum moderner Kunst Stiftung Ludwig Wien, Wien<\/td><\/tr><tr><td>2005<\/td><td>Prague Biennale 2, Karlin Hall, Prag<\/td><\/tr><tr><td><\/td><td>&#8220;Czech Photography of 20th Century&#8221;, Museum of Applied Arts, Prag<\/td><\/tr><tr><td><\/td><td>East Art Museum, Karl Ernst Osthaus \u2013 Museum Hagen, Hagen<\/td><\/tr><tr><td><\/td><td>&#8220;Support 3 (Fluxus, Happening, Konzeptkunst)&#8221;, Neue Galerie, Graz<\/td><\/tr><tr><td><\/td><td>&#8220;1811197604122005&#8221;, galeria plan b, Cluj<\/td><\/tr><tr><td>2004<\/td><td>&#8220;Eintritt Frei&#8221;, BAWAG Foundation, Wien<\/td><\/tr><tr><td><\/td><td>&#8220;Strategies of Desire&#8221;, Kunsthaus Baselland, Basel<\/td><\/tr><tr><td><\/td><td>&#8220;Parallel Actions&#8221;, Galerie der HGB, Academy of Visual Arts, Leipzig<\/td><\/tr><tr><td><\/td><td>&#8220;Being the Future&#8221;, Palast der Republik, Berlin<\/td><\/tr><tr><td><\/td><td>&#8220;Neutral&#8221;, Motorenhalle, Dresden<\/td><\/tr><tr><td><\/td><td>&#8220;Cordially Invited&#8221;, BAK and Centraal Museum, Utrecht<\/td><\/tr><tr><td><\/td><td>&#8220;De ma fenetre&#8221;, \u00c9cole nationale sup\u00e9rieure des beaux-arts, Paris<\/td><\/tr><tr><td>2003<\/td><td>&#8220;Wir m\u00fcssen heute noch an Ihr Vorstellungsverm\u00f6gen appellieren&#8230;&#8221;, K\u00f6lnischer Kunsverein, K\u00f6ln<\/td><\/tr><tr><td><\/td><td>&#8220;Parallel Actions&#8221;, acfny  &#8211; Austrian Cultural Forum, New York<\/td><\/tr><tr><td>2002<\/td><td>&#8220;FAIR&#8221;, Royal College of Art, London<\/td><\/tr><tr><td><\/td><td>&#8220;arty&#8221;, Caf\u00e9 Bystrica, Pressburg<\/td><\/tr><tr><td>2001<\/td><td>&#8220;Body and the East&#8221;, Exit Art, New York<\/td><\/tr><tr><td><\/td><td>&#8220;Object, Object&#8221;, Czech Museum of Fine Arts, Prag<\/td><\/tr><tr><td><\/td><td>&#8220;Die Sammlung&#8221;, MUMOK &#8211; Museum moderner Kunst Stiftung Ludwig, Wien<\/td><\/tr><tr><td>2000<\/td><td>&#8220;\u00dcberlebenKunst&#8221;, Neuer Berliner Kunsverein, Berlin<\/td><\/tr><tr><td>1999<\/td><td>&#8220;Perplex&#8221;, V. Spala\u2019s Gallery, Prag<\/td><\/tr><tr><td><\/td><td>&#8220;Brother\u2019s Brother&#8221;, V. L\u00f6ffler\u2019s Museum, Kaschau<\/td><\/tr><tr><td><\/td><td>&#8220;99 CZ \u2013 Nineties&#8221;, Wenceslas Square no. 15 and other spaces, Prag<\/td><\/tr><tr><td><\/td><td>&#8220;Aspekte\/Positionen. 50 Jahre Kunst aus Mitteleuropa 1949\u20131999&#8221;, Museum moderner Kunst, Palais Lichtenstein, 20er Haus, Wien<\/td><\/tr><tr><td>1998<\/td><td>&#8220;Reduced Budget&#8221;, Manes, Prag<\/td><\/tr><tr><td><\/td><td>&#8220;Liste 98&#8221; \u2013 The Young Art Fair, Werkraum Warteck, Basel<\/td><\/tr><tr><td><\/td><td>&#8220;Body and the East&#8221;, Moderna galerija, Laibach<\/td><\/tr><tr><td><\/td><td>&#8220;Sensitivities \u2013 Contemporary Art of Cenral Europe&#8221;, European Academy for the Arts, London<\/td><\/tr><tr><td>1997<\/td><td>&#8220;Demode&#8221;, Gallery U dobreho pastyre, Br\u00fcnn<\/td><\/tr><tr><td><\/td><td>&#8220;Cse(h)ndes \u00fczenetek&#8221;, Budapest Galeria, Budapest<\/td><\/tr><tr><td>1996<\/td><td>&#8220;Czech Abstraction&#8221;, V. Spala\u2019s Gallery, Prag<\/td><\/tr><tr><td><\/td><td>&#8220;L\u2019art au corps&#8221;, MAC &#8211; galeries contemporaines des Mus\u00e9es de Marseille<\/td><\/tr><tr><td><\/td><td>&#8220;Abstrakt\/Real&#8221;, Museum moderner Kunst, 20er Haus, Wien<\/td><\/tr><tr><td>1995<\/td><td>&#8220;Test Run&#8221;, Manes, Prag<\/td><\/tr><tr><td>1993<\/td><td>&#8220;Second Exit&#8221;, Ludwig Forum, Aachen<\/td><\/tr><tr><td><\/td><td>&#8220;Czech Works on Paper&#8221;, South Bank Centre, London<\/td><\/tr><tr><td><\/td><td>&#8220;That What Is Left&#8221;, Stenc\u2019s House, Prag<\/td><\/tr><tr><td><\/td><td>&#8220;Europe Without Walls&#8221;, City Art Galleries, Manchester<\/td><\/tr><tr><td>1992<\/td><td>&#8220;Sirup&#8221;, Pasinger Fabrik, M\u00fcnchen<\/td><\/tr><tr><td><\/td><td>&#8220;Gray Brick 35\/1992&#8221;, GKK &#8211; Galerie Klatovy \/ Klenov\u00e1<\/td><\/tr><tr><td><\/td><td>&#8220;Czech Painting and Sculpture after 1945&#8221;, Alsova jihoceska galerie, Hluboka nad Vltavou<\/td><\/tr><tr><td>1991<\/td><td>&#8220;New Intimacy&#8221;, ULUV, Prag<\/td><\/tr><tr><td><\/td><td>&#8220;Contribution to Happiness&#8221;, Galerie der K\u00fcnstler, M\u00fcnchen<\/td><\/tr><tr><td><\/td><td>&#8220;The Exhibition of the Contemporary Czech Art&#8221;, Taiwan Museum of Art, Taipei<\/td><\/tr><tr><td><\/td><td>&#8220;Art of Action&#8221;, Manes, Prag<\/td><\/tr><tr><td>1990<\/td><td>&#8220;Contemporary Czech Painting&#8221;, Walker Hill Art Center, Seoul<\/td><\/tr><tr><td>1989<\/td><td>&#8220;Metaphysical Visions: Middle Europe&#8221;, Artists Space, New York<\/td><\/tr><tr><td><\/td><td>&#8220;Description of a Fight&#8221;, Gallery of Art, Roudnice nad Labem<\/td><\/tr><tr><td>1988<\/td><td>&#8220;Painting of the 80\u2019 Generation&#8221;, Palace of Youth, Moskau<\/td><\/tr><tr><td>1987<\/td><td>&#8220;Exhibition 30&#8221;, People\u2019s House, Prag<\/td><\/tr><tr><td>1986<\/td><td>&#8220;Body in the Czechoslovak Photography&#8221;, Museum Kromerizska, Kromeriz<\/td><\/tr><tr><td>1981<\/td><td>&#8220;Returns to Nature&#8221;, Salon Fotografia, Belgrad<\/td><\/tr><tr><td>1979<\/td><td>&#8220;Places and Moments&#8221;, Galeria Foto-Medium-Art, Breslau<\/td><\/tr><tr><td><\/td><td>&#8220;Works and Words&#8221;, De Appel, Amsterdam<\/td><\/tr><tr><td>1978<\/td><td>&#8220;Experience Book&#8221;, Gallery Maki, Tokio<\/td><\/tr><tr><td>1977<\/td><td>Laboratorio, Mailand<\/td><\/tr><\/tbody><\/table><\/figure>\n<\/div>\n<\/div>\n","protected":false},"featured_media":1543,"template":"","class_list":["post-1235","person","type-person","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.galeriekrobath.at\/en\/wp-json\/wp\/v2\/person\/1235","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.galeriekrobath.at\/en\/wp-json\/wp\/v2\/person"}],"about":[{"href":"https:\/\/www.galeriekrobath.at\/en\/wp-json\/wp\/v2\/types\/person"}],"version-history":[{"count":4,"href":"https:\/\/www.galeriekrobath.at\/en\/wp-json\/wp\/v2\/person\/1235\/revisions"}],"predecessor-version":[{"id":5182,"href":"https:\/\/www.galeriekrobath.at\/en\/wp-json\/wp\/v2\/person\/1235\/revisions\/5182"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.galeriekrobath.at\/en\/wp-json\/wp\/v2\/media\/1543"}],"wp:attachment":[{"href":"https:\/\/www.galeriekrobath.at\/en\/wp-json\/wp\/v2\/media?parent=1235"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}