Lives and works in New York, USA.<\/p>\n\n\n\n
1964<\/strong> born in Brunnen, Switzerland<\/p>\n\n\n\n 1986-90<\/strong> University of Applied Arts, Vienna <\/p>\n\n\n\nSolo Exhibitions (Selection)<\/h2>\n\n\n\n
2025<\/td> Aspen Art Museum, Colorado, CO, US <\/td><\/tr> <\/td> Cardi Gallery, Milan, IT<\/td><\/tr> <\/td> Arte Abierto, Mexico City, MX<\/td><\/tr> <\/td> Galleria d’arte moderna di Milano, Milan, IT<\/td><\/tr> 2024<\/td> DAZZLING LIGHT<\/em>, Galerie Krobath, Vienna, AT<\/td><\/tr> <\/td> Cry Me a River<\/em>, Kunstmuseum Luzern, Luzern, CH <\/td><\/tr> <\/td> W\u00fcrth Museum, K\u00fcnzelsau, DE<\/td><\/tr> <\/td> Esther Schipper, Berlin, DE<\/td><\/tr> <\/td> arched landscape, <\/em>Belvedere, Vienna, AT<\/td><\/tr> <\/td> Esther Schipper, Paris, FR<\/td><\/tr> <\/td> Mennour, Paris, FR<\/td><\/tr> <\/td> BURN TO SHINE<\/em>, Museum SAN, Oak Valley, Wonju-si, KR <\/td><\/tr> 2023
<\/td>Ugo Rondinone and Louis Michel Eilshemius, The Phillips Collection, Washington, D.C., USA.<\/td><\/tr> 2022<\/td> Doha Mountains, Quatar Museums, Ras Abou Aboud Beach, Doha, Quatar.<\/td><\/tr> <\/td> nuns and monks by the sea, Kukje Gallery, Seoul, Busan.<\/td><\/tr> <\/td> “The water is a poem unwritten by the air no. The earth is a poem unwritten by the fire”, Petit Palais, Paris.<\/td><\/tr> <\/td> sunrise. east, The St\u00e4del Museum, Frankfurt, Germany.<\/td><\/tr> <\/td> life time, Schirn Kunsthalle Frankfurt, Germany.<\/td><\/tr> <\/td> vocabulary of solitude, Museo Tamayo, Mexico, D.F.<\/td><\/tr> <\/td> vocabulary of solitude, Auckland Art Gallery atrium, New Zealand.
<\/td><\/tr><\/td> Scuola Grande, Venice Biennale, 59th International Art Exhibition.<\/td><\/tr> 2021
2022<\/td>nude in the landscape, Belvedere 21, Vienna, Austria.<\/td><\/tr> <\/td> a low sun . golden mountains . fall, Galerie Krobath, Vienna, Austria.<\/td><\/tr> <\/td> sail me on a silver sun,The National Exemplar, Iowa City, USA.<\/td><\/tr> <\/td> still.life, Tennis Elbow, The Journal Gallery, New York, USA.<\/td><\/tr> <\/td> waterfalls & clouds, two person exhibition with Pat Steir, Galerie Eva Presenhuber, Zurich, Switzerland.<\/td><\/tr> <\/td> Ned Smyth: Life, curated by Ugo Rondinone, Landcraft Garden Foundation, Mattituck, NY.<\/td><\/tr> <\/td> your age, my age, and the age of the rainbow, Belvedere, Vienna, Austria, <\/td><\/tr> 2021<\/td> “a wall. a door. a tree. a lightbulb. winter.” Sorlandets Kunstmuseum, Kristiansand, South Norway. <\/td><\/tr> 2020<\/td> nuns + monks, Galerie Eva Presenhuber, Zurich, CH<\/td><\/tr> <\/td> Mattituck, Ester Schipper, Berlin, DE<\/td><\/tr> <\/td> the monk, Sant\u2019Andrea de Scaphis, Rome, Italy<\/td><\/tr> 2019<\/td> “fly me to the moon”, Kunsthaus Zurich, Zurich, Switzerland, <\/td><\/tr> <\/td> Foundation Carmignac, Porquerolles Island, France, La Source<\/td><\/tr> <\/td> SMK \u2013 National Gallery of Denmark, Copenhagen, There I Belong: Hammersh\u00f8i<\/td><\/tr> <\/td> Aichi Triennale, Nagoya, Japan (forthcoming)<\/td><\/tr> <\/td> Guild Hall, East Hampton, USA (forthcoming)<\/td><\/tr> 2018<\/td> “Art and Vinyl \u2013 Artist Covers and Records”, Kunstmuseum Zurich, Zurich, Switzerland, <\/td><\/tr> <\/td> “The World on Paper”,Deutsch Bank Collection, PalaisPopulaire, Berlin, <\/td><\/tr> <\/td> South London Gallery, London, United Kingdom, Knock Knock<\/td><\/tr> <\/td> “Another banana day for the dream fish”, Palais de Tokyo, Paris, <\/td><\/tr> <\/td> “Still Life”, Kunst Haus Wien, Vienna, Austria, <\/td><\/tr> <\/td> Present Tense: Selections from the Leonhardt Collection, Phoenix Art Museum, Phoenix, <\/td><\/tr> <\/td> “Buddha\u2019s Life, Path to the Present”, De Nieuwe Kerk, Amsterdam, <\/td><\/tr> <\/td> “Surrealism Switzerland” Aargauer Kunsthaus, Aarau, Switzerland, <\/td><\/tr> <\/td> “Summer” (Curated by Ugo Rondinone) Peter Freeman, Inc., New York, <\/td><\/tr> <\/td> Eurovisions: Contemporary Art from the Goldberg Collection Heide Museum of Modern Art, Bulleen, Victoria, Australia, <\/td><\/tr> <\/td> “People”, Deitch Projects, New York, <\/td><\/tr> <\/td> “Poussi\u00e8res d\u2019Etoiles” Domaine des Etangs, Massignac, France. <\/td><\/tr> <\/td> “Sea of Desire”, Fondation Carmignac, Poquerolles, France.<\/td><\/tr> <\/td> “Sculpture Garden- Biennale” Parc des Eaux-Vives, Geneva, Switzerland.<\/td><\/tr> <\/td> “The Jubilee Exhibition”, Kunst Raum Riehen, Switzerland, 20 Years Kunstraum Riehen, Germany.<\/td><\/tr> <\/td> “Smooth Transitions”, Galerie Eva Presenhuber, Zurich, <\/td><\/tr> <\/td> Palazzo Belmonte Riso, Museum Center for Modern and Contemporary Art of The Urban Forest, Sicily, Palermo, Italy.<\/td><\/tr> <\/td> “People”, Jeffrey Deitch, New York.<\/td><\/tr> <\/td> Nudes, Sadie Coles HQ, London, GB.<\/td><\/tr> <\/td> Kamel Mennour, Pairs, Valentin Carron, Camille Henrot, Anish Kapoor, Alicja Kwade, Bertrand Lavier, Claude L\u00e9v\u00eaque, Fran\u00e7ois Morellet, Christodoulos Panayiotou, Gina Pane, Ugo Rondinone<\/td><\/tr> <\/td> “Jay DeFeo: The Ripple Effect”, Le Consortium, Dijon, France, Jay DeFeo<\/td><\/tr> 2017<\/td> “The world just makes me laugh”, Berkeley Art Museum and Pacific Film Archive, Berkeley (upcoming)<\/td><\/tr> <\/td> “I love john giorno”, New York (upcoming)<\/td><\/tr> <\/td> “Let’s meet at the parade”, Swiss Cultural Centre, Paris (upcoming)<\/td><\/tr> <\/td> “Good evening beautiful blue”, Bass Museum of Art, Miami (upcoming)<\/td><\/tr> <\/td> “your age my age and the age of the rainbow”, The Garage Museum of Contemporary Art, Moscow<\/td><\/tr> <\/td> “Let’s start this day again”, Contemporary Arts Center, Cincinnati<\/td><\/tr> 2016<\/td> “every time the sun comes up”, Place Vendome, Paris<\/td><\/tr> <\/td> “miami mountain”, Bass Museum of Art, Miami<\/td><\/tr> <\/td> “gironod\u2019oro + notti d\u2019argento”, Mercati die Traiano, Rome<\/td><\/tr> <\/td> “gironod\u2019oro + notti d\u2019argento”, MACRO, Rome<\/td><\/tr> <\/td> “Vocabulary of Solitude”, Museum Boijmans Van Beuningen, Rotterdam<\/td><\/tr> <\/td> “Becoming Soil”, Carre d’art, N\u00eemes<\/td><\/tr> <\/td> “Seven Magic Mountains”, Art Production fund and Nevada Museum of Art \/ Desert of Nevada vocabulary of solitude, Boijmans van Beuningen, Rotterdam<\/td><\/tr> 2015<\/td> “UGO RONDINONE : I \u2665 JOHN GIORNO”, curated by Ugo Rondinone Palais de Tokyo, Paris<\/td><\/tr> <\/td> “Artists and Poets” curated by Ugo Rondinone, Wiener Secession, Wien<\/td><\/tr> <\/td> “clouds”, Krobath, Wien<\/td><\/tr> <\/td> Galerie Eva Pressenhuber, Z\u00fcrich<\/td><\/tr> <\/td> Sadie Coles HQ, London<\/td><\/tr> <\/td> Kukje Gallery, Seoul<\/td><\/tr> <\/td> “Seven Magic Mountains”, Nevada Museum of Art, Nevada<\/td><\/tr> 2014<\/td> “Breath Walk Die,” Rockbund Art Museum, Shanghai<\/td><\/tr> <\/td> “Naturaleza Humana”, Museo Anahuacalli, Mexico City<\/td><\/tr> 2013<\/td> \u201cUgo Rondinone,\u201d Fatima Center for Contemporary Culture, Monterrey<\/td><\/tr> <\/td> “Poems”, Sorry We\u2019re Closed, Brussels<\/td><\/tr> <\/td> “Primal”, Sommer Contemporary Art, Tel Aviv<\/td><\/tr> <\/td> “Soul”, Galerie Eva Presenhuber, Z\u00fcrich<\/td><\/tr> <\/td> “Soul”, Gladstone Gallery, New York<\/td><\/tr> <\/td> “Primal”, Esther Schipper, Berlin<\/td><\/tr> <\/td> “Pure moonlight”, Almine Rech Gallery, Paris<\/td><\/tr> <\/td> “Thank you silence”, M Museum, Leuven<\/td><\/tr> <\/td> \u201cwe run through a desert on burning feet, all of us glowing our faces look twisted,\u201d Art Institute of Chicago, Chicago<\/td><\/tr> <\/td> “Human nature”, Public Art Fund, Rockefeller Plaza, New York<\/td><\/tr> 2012<\/td> “El Grito \/ The Cry”, MUSAC Leon<\/td><\/tr> <\/td> “Primitive”, The Common Guild, Glasgow<\/td><\/tr> <\/td> “the moth poem and the holy forest”, Krobath, Wien<\/td><\/tr> <\/td> “pure sunshine”, Sadie Coles HQ, London<\/td><\/tr> <\/td> “NUDE”, Cycladic Art Museum, Athens<\/td><\/tr> <\/td> Sommer Contemporary Art, Tel Aviv<\/td><\/tr> <\/td> \u201cwisdom? peace? blank? all of this?\u201d Kunst Historisches Museum Wien, Wien<\/td><\/tr> 2011<\/td> \u201cwe are poems\u201d, Gladstone Gallery, Br\u00fcssel<\/td><\/tr> <\/td> \u201cNew Horizon\u201d, Almine Rech Gallery, Br\u00fcssel<\/td><\/tr> <\/td> Palais an der Oper, M\u00fcnchen <\/td><\/tr> <\/td> “Kiss Now Kill Later”, Galerie Eva Presenhuber, Z\u00fcrich<\/td><\/tr> <\/td> “Outside my window”, Peder Lund Fine Arts, Oslo<\/td><\/tr> 2010\t<\/td> “Nude”, Gladstone Gallery, New York (NY) IBM Building, New York (NY)<\/td><\/tr> <\/td> “The Night of Lead (Die Nacht aus Blei)”, Kunstmuseum Aarau, Aarau<\/td><\/tr> <\/td> Louisiana Museum of Contemporary Art, D\u00e4nemark<\/td><\/tr> <\/td> Olive Tree Installation at IBM Building, 590 Madison Ave, New York<\/td><\/tr> 2009\t<\/td> Festival d\u2019Automne, Paris<\/td><\/tr> <\/td> Sadie Coles HQ, London<\/td><\/tr> <\/td> Galerie Almine Rech, Paris<\/td><\/tr> <\/td> MUSAC, Museo de Arte Contempor\u00e1neo de Castilla, L\u00e9on<\/td><\/tr> 2008<\/td> “Clockwork for oracles II”, ICA Boston, Art Wall Project<\/td><\/tr> <\/td> “turn back time. let\u2019s start this day again”, Galleria Raucci\/Santamaria, Neapel<\/td><\/tr> <\/td> “We Burn, We Shiver”, Sculpture Center, New York, (mit Martin Boyce)<\/td><\/tr> <\/td> “Moonrise. East”, Public Art Project, Art Basel<\/td><\/tr> <\/td> “Twelve sunsets, twenty nine dawns, all in one”, Galerie Eva Presenhuber, Z\u00fcrich<\/td><\/tr> 2007<\/td> “big mind sky”, Matthew Marks Gallery, New York<\/td><\/tr> <\/td> “The Third Mind”, Palais de Tokyo, Paris, kuratiert von Ugo Rondinone<\/td><\/tr> <\/td> “Wohnsiedlung Werdwies”, Z\u00fcrich-Altstetten, Kunst und Bau<\/td><\/tr> <\/td> “get up girl a sun is running the world”, Church San Stae, Venice, (52nd Venice Biennale) (mir Urs Fischer)<\/td><\/tr> <\/td> Arario Gallery, Seoul, S\u00fcd-Korea<\/td><\/tr> <\/td> “air gets into everything even nothing”, Creative Time, Ritz Carlton Plaza, Battery Park, New York<\/td><\/tr> <\/td> “get up girl a sun is running the world”, Creative Time, Ritz Carlton Plaza, Battery Park, New York<\/td><\/tr> 2006<\/td> “unday”, Esther Schipper, Berlin<\/td><\/tr> <\/td> “my endless numbered days”, Sadie Coles HQ, London<\/td><\/tr> <\/td> “zero built a nest in my navel”, Whitechapel Art Gallery, London<\/td><\/tr> <\/td> Giorni Felici, Galleria Civica Modena<\/td><\/tr> <\/td> “on butterfly wings”, Galerie Almine Rech, Paris<\/td><\/tr> <\/td> “Thank you silence”, Matthew Marks Gallery, New York<\/td><\/tr> <\/td> “a waterlike still”, Ausstellungshalle zeitgen\u00f6ssische Kunst, M\u00fcnster, <\/td><\/tr> 2005<\/td> “clockwork for oracles”, SR-Centro Culturale Svizzero di Milano, Mailand<\/td><\/tr> <\/td> “‘SUNSETSUNRISE'”, Sommer Contemporary Art, Tel Aviv<\/td><\/tr> 2004<\/td> Raucci\/Santamaria Gallery, Neapel, Italien<\/td><\/tr> <\/td> Matthew Marks Gallery, New York<\/td><\/tr> <\/td> “LONG NIGHTS SHORT YEARS”, Le Consortium, Dijon<\/td><\/tr> <\/td> “Clockwork for Oracle”, Australian Centre for Contemporary Art Melbourne<\/td><\/tr> 2003<\/td> Galerie Almine Rech, Paris<\/td><\/tr> <\/td> Galerie Hauser & Wirth & Presenhuber, Z\u00fcrich<\/td><\/tr> <\/td> Australian Centre for Contemporary Art, Melbourne<\/td><\/tr> <\/td> Museum of Contemporary Art, Sidney<\/td><\/tr> <\/td> Centre Pompidou, Paris<\/td><\/tr> 2002<\/td> “Our Magic Hour”, Centre for Contemporary Visual Arts, Brighton<\/td><\/tr> <\/td> “COMING UP FOR AIR”, W\u00fcrttembergischer Kunstverein Stuttgart, Stuttgart<\/td><\/tr> <\/td> “1988. Works on paper inc.”, Los Angeles<\/td><\/tr> <\/td> “The Dancer and the Dance”, Galerie Krobath Wimmer, Wien<\/td><\/tr> <\/td> “Cigarettesandwich”, HQ, Sadie Coles, London<\/td><\/tr> <\/td> “No how on”, Kunsthalle Wien, Wien<\/td><\/tr> <\/td> “a horse with no name”, Matthew Marks Gallery, New York <\/td><\/tr> 2001<\/td> “Slow Graffiti”, Galerie Schipper&Krome, Berlin<\/td><\/tr> <\/td> FracPaca, Marseille<\/td><\/tr> <\/td> “Kiss Tomorrow Goodby”, Palazzo delle Esposizioni, Rom<\/td><\/tr> <\/td> “Yesterdays Dancer”, Sommer Contemporary Art, Tel Aviv<\/td><\/tr> <\/td> “Dreams and Dramas”, Herzliya Museum of Art, Herzliya\/IL<\/td><\/tr> <\/td> “If there were anywhere but desert”, Galerie Almine Rech, Paris <\/td><\/tr> 2000<\/td> “So much water so close to home”, P.S.1, solo project, New York<\/td><\/tr> <\/td> “Love invents us”, Matthew Marks Gallery, New York<\/td><\/tr> <\/td> “Hell, Yes!”, HQ, Sadie Coles, London<\/td><\/tr> <\/td> “If there were anywhere but desert”, Mont Blanc Boutique, New York<\/td><\/tr> <\/td> “A DOUBLEDAY AND A PASTTIME”, Galleria Raucci\/ Santamaria, Neapel<\/td><\/tr> 1999<\/td> “Guided by voices”, Galerie f\u00fcr zeitgen\u00f6ssische Kunst Leipzig, kuratiert von Jan Winkelmann, Leipzig<\/td><\/tr> <\/td> “Guided by voices”, Kunsthaus Glarus, kuratiert von Beatrix Ruf, Glarus, Schweiz<\/td><\/tr> <\/td> “Moonlighting”, Galerie Hauser & Wirth & Presenhuber, Z\u00fcrich<\/td><\/tr> <\/td> “Light of fallen stars”, Yves Saint Laurent, New York<\/td><\/tr> <\/td> “In the sweet years remaining”, Schipper & Krome, Berlin<\/td><\/tr> 1998<\/td> “The evening passes like any other”, Galerie Almine Rech, Paris<\/td><\/tr> <\/td> “In the sweet years remaining”, Galerie Jo\u00e3o Gra\u00e7a 1991, Lissabon<\/td><\/tr> <\/td> “So much water so close to home”, Krobath Wimmer, Wien<\/td><\/tr> 1997<\/td> “Moonlight and Aspirin”, Galleria Bonomo, Rom<\/td><\/tr> <\/td> “Stillsmoking”, Galleria Raucci\/St. Maria, Neapel<\/td><\/tr> <\/td> “Where do we go from here?”, Le Consortium, Dijon<\/td><\/tr> <\/td> “Tender places come from nothing”, Cato Jans Der Raum, Hamburg<\/td><\/tr> 1996<\/td> “Heyday”, Centre d\u2019Art Contemporain, Genf<\/td><\/tr> <\/td> “Dogdays are over”, Museum f\u00fcr Gegenwartskunst, Z\u00fcrich<\/td><\/tr> <\/td> Le Case d\u2019Arte, Mailand<\/td><\/tr> 1995<\/td> Galerie Walcheturm, Z\u00fcrich<\/td><\/tr> <\/td> Migrateurs, ARC Mus\u00e9e d\u2019Art Moderne de la Ville de Paris, Paris<\/td><\/tr> <\/td> “Meantime”, Galerie Froment-Putman, Paris<\/td><\/tr> 1994<\/td> Galerie Six Friedrich, M\u00fcnchen<\/td><\/tr> <\/td> Galerie Daniel Buchholz, K\u00f6ln<\/td><\/tr> <\/td> Galerie Ballgasse, Wien<\/td><\/tr> <\/td> Centre d\u2019Art Contemporain de Martigny, Martigny, Schweiz<\/td><\/tr> 1992<\/td> “Pasttime”, Galerie Walcheturm, Z\u00fcrich<\/td><\/tr> 1991<\/td> Galerie Walcheturm, Z\u00fcrich<\/td><\/tr> <\/td> Galerie Pinx, Oskar Schmidt, Wien<\/td><\/tr> <\/td> Galerie Martina Detterer, Frankfurt a. M.<\/td><\/tr> 1989<\/td> Galerie Pinx, Oskar Schmidt, Wien<\/td><\/tr> 1987<\/td> Raum f\u00fcr aktuelle Schweizer Kunst, Luzern<\/td><\/tr> 1986<\/td> Sec 52, Ricco Bilger, Z\u00fcrich<\/td><\/tr> 1985<\/td> Galerie Marlene Frei, Z\u00fcrich<\/td><\/tr> <\/td> <\/td><\/tr> <\/td> <\/td><\/tr> <\/td> <\/td><\/tr><\/tbody><\/table><\/figure>\n<\/div>\n\n\n\n Group Exhibitions (Selection)<\/h2>\n\n\n\n
2024<\/td> Kunsthaus Z\u00fcrich, Zurich, CH<\/td><\/tr> <\/td> If not now, when? <\/em>(Collection Max Vorst), Museum Beelden aan Zee, The Hague, NL<\/td><\/tr> <\/td> Courtisane festival, Ghent, BE<\/td><\/tr> <\/td> Masters of Contemporary Sculpture <\/em>(Ugo Rondinone, Joel Shapiro, Michael Craig-Martin), Carling Dalenson<\/td><\/tr> <\/td> Gallery, Stockholm, SE<\/td><\/tr> <\/td> Light, Sound & Senses, <\/em>Heidi Horten Collection, Vienna, AT<\/td><\/tr> <\/td> Reiffers Art Initiative, Paris, FR<\/td><\/tr> <\/td>
Israel Museum, Jerusalem, IL<\/td><\/tr><\/td> Tierwelten <\/em>(Friedrich D\u00fcrrenmatt, Ugo Rondinone, Christine Sefolosha), Centre D\u00fcrrenmatt Neuch\u00e2tel, CH<\/td><\/tr> <\/td> Full Moon<\/em>, Museum Voorlinden, Wassenaar, NL<\/td><\/tr> 2023<\/td> MELENCOLIA, <\/em>Galerie Eva Presenhuber, Zurich, CH<\/td><\/tr> <\/td> Everything Gets Lighter<\/em>, curated by Lisa Phillips, Museo Jumex, Mexico City, MX<\/td><\/tr> <\/td>
BREATHE WALK DIE, Rijksmuseum, Amsterdam, NL<\/td><\/tr><\/td> This is a Rehearsal, <\/em>Chicago Architecture Biennial, Chicago, IL, US<\/td><\/tr> <\/td> sunrise. East, St\u00e4del Museum, Frankfurt, DE<\/td><\/tr> <\/td> Target<\/em>, Kamel Menour, Paris, FR<\/td><\/tr> <\/td> Hangar Y, Art Explora, Meudon, FR<\/td><\/tr> <\/td> the alphabet of my mothers and fathers, <\/em>Parrish Art Museum, New York, US<\/td><\/tr> <\/td> John Giorno, the world just makes me laugh, <\/em>Almine Rech, Shanghai, CN<\/td><\/tr> <\/td> new york new york, <\/em>Martos Gallery, New York, NY, US<\/td><\/tr> <\/td> Rijksmuseum, Amsterdam, NL<\/td><\/tr> <\/td>
au bout des mes r\u00eaves<\/em>, Vanhaerents Art Collection, Brussels, BE<\/td><\/tr><\/td> Halsey McKay Gallery, New York, NY, US<\/td><\/tr> 2022<\/td> “Nature Doesn’t Know About Us”, Sculpture Milwaukee, Chase Tower Milwaukee, WI, USA.<\/td><\/tr> 2021<\/td> The American Landscape, David Nolan, New York.<\/td><\/tr> <\/td> Lustwarande: STATIONS,Tilburg, Netherlands.<\/td><\/tr> <\/td> ARTZUID: Amsterdam Sculpture Biennial, The Netherlands.<\/td><\/tr> <\/td> Triennial Kortrijk: PARADISE, Belgium.<\/td><\/tr> <\/td> Swiss Skulptur Since 1945, curated by Peter Fischer, Aargauer Kunsthaus, Aarau, Switzerland.<\/td><\/tr> <\/td> Diversity \/ United, Foundation for Art and Culture Bonn and State Treyakov Gallery Moscow, Berlin, Germany.<\/td><\/tr> 2020
2021<\/td>Feel the Soul?, virtual exhibition, Willumsens Museum, Frederikssund, Denmark.<\/td><\/tr> <\/td> Schwarz Wei\u00df & Grau, Albertina Wien<\/td><\/tr> <\/td> 7. Dezember 2020 – 14. M\u00e4rz 2021<\/td><\/tr> <\/td> Poetry, two person exhibition with John Dilg, The National Exemplar Gallery, Iowa City, US<\/td><\/tr> <\/td> Sadie Coles HQ, London, UK<\/td><\/tr> 2019<\/td> fly me to the moon, Kunsthaus Zurich, Switzerland, 4.4. 30.6 2019. <\/td><\/tr> <\/td> [traveling to Museum der Moderne Salzburg, Austria, July 21 \u2013 November 3, 2019] <\/td><\/tr> <\/td> Grand Palais, Paris. April 1 – July 22 2019<\/td><\/tr> <\/td> Bathurst Regional Art Gallery, Bathurst, New South Wales, Australia.<\/td><\/tr> <\/td> “Still Life”, KUNST HAUS WIEN, Vienna, Austria.<\/td><\/tr> 2018<\/td> People”, Deitch Projects, New York, USA.<\/td><\/tr> <\/td> “Sea of Desire”, Fondation Carmignac, Poquerolles, France<\/td><\/tr> <\/td> “Poussi\u00e8res d`\u00c9toile”, Domaine des Etangs, Massignac, France.<\/td><\/tr> <\/td> “Eurovisions: Contemporary Art from the Goldberg Collection”, Heide Museum of Modern Art, Bulleen, Victoria, Australia. Traveling to: Canberra Museum and Gallery, Canberra.<\/td><\/tr> <\/td> “Smooth Transitions”, Galerie Eva Presenhuber, L\u00f6wenbr\u00e4u, CH.<\/td><\/tr> <\/td> “Sculpture Garden \u2013 Biennale”, Parc des Eaux-Vives, Geneva, CH.<\/td><\/tr> <\/td> “Another perfect day for bananafish”, Palais de Tokyo, Paris, France.<\/td><\/tr> <\/td> “The Urban Forest”, Palazzo Belmonte Riso, Museum Centre for Modern and Contemporary Art of Sicily, Palermo, Italy.<\/td><\/tr> <\/td> “20 Years Kunst Raum Riehen \u2013 The Jubilee Exhibition”, Kunst Raum Riehen, CH.<\/td><\/tr> 2017<\/td> “The Transported Man”, Broad Museum, East Lansing<\/td><\/tr> <\/td> “One and Other”, Zabludowicz Collection, London<\/td><\/tr> <\/td> “Back to Mulholland Drive”, La Panac\u00e9e, Montpellier<\/td><\/tr> 2016<\/td> SeMA Biennale Mediacity, Seoul<\/td><\/tr> <\/td> “Takashi Murakami’s Superflat Collection, From Shohaku and Rosanijn to Anselm Kiefer”, Yokohama Museum of Art, Japan<\/td><\/tr> <\/td> “Dog Days Are Over”, Seoul Media City, Seoul<\/td><\/tr> <\/td> “Human Scale”, National Gallery of Canada, Ottawa<\/td><\/tr> <\/td> “Mount Analogue”, Darrow Contemporary, Aspen<\/td><\/tr> <\/td> Sculpture in the City, Public Installation London<\/td><\/tr> 2015<\/td> “Greater New York”, Moma ps1, New York<\/td><\/tr> <\/td> “Museum of Stones”, Noguchi Museum, Long Island City<\/td><\/tr> <\/td> “Une br\u00e8ve histoire de l’avenir”, Mus\u00e9e du Louvre, Paris<\/td><\/tr> <\/td> “Vita Vitale”,Azerbaijan Pavilion, Venice Biennale, Venice, Italy<\/td><\/tr> <\/td> “UGO RONDINONE. K\u00fcnstler und Dichter”<\/td><\/tr> <\/td> kuratiert von Ugo Rondinone,Secession, Wien<\/td><\/tr> <\/td> “Geisterwesen”, Kunstmuseum Luzern, Luzern<\/td><\/tr> <\/td> Michael Ringier Collection, Artgen\u00e8ve, Gen\u00e8ve<\/td><\/tr> <\/td> “Venusfalle”, Schaulager Sindelfingen, Sindelfingen<\/td><\/tr> <\/td> “Von Angesicht zu Angesicht”, Kunstmuseum Luzern, Luzern<\/td><\/tr> <\/td> “Lustwarande 2015”, Fundament Foundation, Tilburg<\/td><\/tr> <\/td> “About Trees”, Paul Klee Zentrum, Bern<\/td><\/tr> <\/td> “I love John Giorno”, Palais de Tokyo, Paris<\/td><\/tr> 2014<\/td> “Spaced out: Migration to the interior”, Red Bull Studios, New York <\/td><\/tr> <\/td> “Cast from Life”, Skarstedt Gallery, New York <\/td><\/tr> <\/td> “Die Krawatte. M\u00e4nner macht mode”, Schweizer Nationalmuseum, Zurich <\/td><\/tr> <\/td> “The Human Factor: Uses of the Figure in Contemporary Sculpture”, Hayward Gallery, London<\/td><\/tr> <\/td> \u201cLa Disparition Des Lucioles\u201d, Collection Lambert, La Prison Sainte-Anne, Avignon, France<\/td><\/tr> <\/td> “Elevation 1049: Between Heaven and Hell”, Gstaad<\/td><\/tr> 2013<\/td> “Secret Codes”, Galeria Luisa Strina, Sao Paulo<\/td><\/tr> <\/td> \u201cSomos Libres\u201d, MATE: Associaci\u00f3n Mario Testino, Peru<\/td><\/tr> <\/td> “Nasher Xchange”, Nasher Sculpture Center, Dallas<\/td><\/tr> <\/td> “Lass dich von der Natur anwehen. Landschaftzeichnungen in der Romantik und Gegenwart”, Kunsthalle Bremen, Bremen<\/td><\/tr> <\/td> “Das Ende des 20. Jahrhunderts. Es kommt noch besser”, Hamburger Bahnhof, Berlin<\/td><\/tr> <\/td> \u201cSomething about a Tree\u201d, Flag Art Foundation, New York<\/td><\/tr> <\/td> \u201cLifelike\u201d, Walker Art Center, Minneapolis [traveled to: Museum of Contemporary Art San Diego, San Diego(2013), Blanton Museum of Art, Austin(2013)]<\/td><\/tr> <\/td> \u201cLightness of Being\u201d, Public Art Fund, City Hall Park, New York<\/td><\/tr> <\/td> “Dynamo. A century of light and movement in the art – 1913-2013”, Galeries Nationales du Grand Palais, Paris<\/td><\/tr> <\/td> \u201cThe Time is Now\u201d, John Berggruen Gallery, San Francisco<\/td><\/tr> <\/td> \u201cWindow to the World\u201d, Fondation de l\u2019Hermitage, Lausanne<\/td><\/tr> <\/td> \u201cEXPO 1\u201d, MoMA PS1, New York<\/td><\/tr> <\/td> “Harlem Poscards”, Studio Museum, New York<\/td><\/tr> <\/td> \u201cA Possibility of Escape\u201d, ESPAI D\u2019Art Contemporani De Castello, Castello, Spain<\/td><\/tr> <\/td> \u201cThe Hunter and the Factory\u201d, Fundaci\u00f3n\/Colecci\u00f3n Jumex, Ecatepec, Mexico<\/td><\/tr> 2012<\/td> \u201cThe Spirit Level\u201d, Gladstone Gallery, New York<\/td><\/tr> <\/td> \u201cThe Deer\u201d, Le Consortium, Dijon, France<\/td><\/tr> <\/td> \u201cAt the Speed of Stone\u201d, Marianne Boesky, New York<\/td><\/tr> <\/td> “Parallelwelt Zirkus”, Kunsthalle Wien, Vienna<\/td><\/tr> <\/td> \u201cPainting Now\u201d, Galerie Eva Presenhuber, Zurich, Switzerland<\/td><\/tr> <\/td> \u201cZoo\u201d Musee d\u2019art contemporain de Montreal, Montreal, Canada<\/td><\/tr> <\/td> \u201cSecond Skin\u201d Vara Arts, New York<\/td><\/tr> <\/td> “Parallelwelt Zirkus”, Kunsthalle Wien, Wien<\/td><\/tr> <\/td> Kunsthistorisches Museum, Theseus Tempel, Wien<\/td><\/tr> 2011<\/td> Open Concept Gallery, Grand Rapids, West Michigan<\/td><\/tr> <\/td> “Dream the World Awake”, Fashion Museum Antwerp, Antwerpen<\/td><\/tr> <\/td> “Our Magic Hour: How Much of the World Can We Know?”, Yokohama Triennale 2011, Yokohama<\/td><\/tr> <\/td> “Works in Progress: Rodin and the Ambassadors”, Mus\u00e9e Auguste Rodin, Paris<\/td><\/tr> <\/td> “Rollenbilder \u2013 Rollenspiele”, Museum der Moderne Salzburg, Salzburg<\/td><\/tr> <\/td> “El Grito\/The Cry”, MUSAC Leon<\/td><\/tr> <\/td> “Black Swan: The Exhibition”, Regen Projects, Los Angeles<\/td><\/tr> <\/td> “Cet \u00e9t\u00e9…”, Domaine d\u00e9partemental de Chamarande, Chamarande<\/td><\/tr> <\/td> “Works in Progress, Rodin and the ambassadors”, Mus\u00e9e Rodin, Paris<\/td><\/tr> <\/td> “New contemporary galleries \u2013 John Kaldor Family Collection”, Gallery of New South Wales, Sydney<\/td><\/tr> <\/td> “Durchsichtige Dinge”, Kunstverein Freiburg<\/td><\/tr> <\/td> “Voici un dessin suisse”, Aargauer Kunsthaus Aarau<\/td><\/tr> <\/td> “UNSCHARF. Nach Gerhard Richter”, Hamburger Kunsthalle, Hubertus-Wald-Forum, Hamburg<\/td><\/tr> <\/td> ARTZUID 2011, International Sculpture Route, Amsterdam LITOS GRAFERA, Kunst Centret Silkeborg Bad, Silkeborg, D\u00e4nemark<\/td><\/tr> 2010<\/td> “Reference and Affinity”, Kunstmuseum Luzern, Luzern<\/td><\/tr> <\/td> “Die Nase des Michelangelo”, Galerie Peter Kilchmann, Z\u00fcrich<\/td><\/tr> <\/td> “High Ideals & Crazy Dreams”, Vera Munro, Hamburg\t<\/td><\/tr> <\/td> “Bilder \u00fcber Bilder. Diskursive Malerei”, MUMOK, Wien<\/td><\/tr> <\/td> “Swiss Drawing (1990-2010)”, Mus\u00e9e Rath, Genf <\/td><\/tr> <\/td> Modemuseum Hasselt, Hasselt<\/td><\/tr> 2009\t<\/td> “Wall Rockets: Contemporary artists and Ed Ruscha”, Flag Art Foundation, New York<\/td><\/tr> <\/td> “Magritte et la Lumi\u00e8re”, Almine Rech Gallery, Br\u00fcssel<\/td><\/tr> <\/td> “nous tournons dans la nuit…”, Musee departement d’art contemporain de Rochechouart, Rochechouart<\/td><\/tr> <\/td> “Stardust”, Fundament Foundation, Tilburg, Parc De Oude Warande<\/td><\/tr> <\/td> “N\u2019importe Quoi”, Mus\u00e9e d\u2019Art Contemporain de Lyon, Lyon<\/td><\/tr> <\/td> “Saints and Sinners”, The Rose Art Museum, Brandeis University, Waltham<\/td><\/tr> <\/td> “Timecode”, Dundee Contemporary Arts, Dundee<\/td><\/tr> 2008\t<\/td> “The Practice of Everyday Life”, Fundacion\/Coleccion Jumex, Museo Nacional de Arte (MUNAL), Mexico-City<\/td><\/tr> <\/td> “Ich kann mir nicht jeden Tag ein Ohr abschneiden”, Dekonstruktion des K\u00fcnstlermythos\u201c, Hamburger Bahnhof, Berlin<\/td><\/tr> <\/td> “Moonrise. East”, St. Moritz Art Masters, St. Moritz<\/td><\/tr> <\/td> “Intimacy, Firehouse Project”, East Hampton (kuratiert von Anne Pasternak)<\/td><\/tr> <\/td> “Unknown Pleasures”, Aspen Art Museum<\/td><\/tr> <\/td> “Painting Now And Forever”, Matthew Marks Gallery, New York<\/td><\/tr> <\/td> “Second Nature”, Parc Heintz, Luxembourg<\/td><\/tr> <\/td> “Landscope”, Galerie Thaddaeus Ropac, Paris<\/td><\/tr> <\/td> “Ausstellung Sammlung 1978-2008”, Migros Museum f\u00fcr Gegenwartskunst, Z\u00fcrich<\/td><\/tr> <\/td> “Blasted Allegories. Werke aus der Sammlung Ringier”, Kunstmuseum Luzern, Luzern<\/td><\/tr> <\/td> “second_nature”, Centre artistique et culturel, Chamarande<\/td><\/tr> <\/td> “Private Passion. Public Visions”, MARCO, Museo de Arte Contemporan\u00e9a de Vigo, Spanien<\/td><\/tr> <\/td> “second_nature”, Parc Heintz, Dexia BIL, Luxembourg<\/td><\/tr> <\/td> Tel-Aviv Museum, Doron Sebbag Art Collection<\/td><\/tr> <\/td> Barbican Art Gallery, London, Martian Museum of Terrestrial Art<\/td><\/tr> <\/td> “Laughing In A Foreign Language”, The Hayward Gallery, London<\/td><\/tr> <\/td> “Schweiz \u00fcber Alles”, Jumex Collection, Mexico<\/td><\/tr> <\/td> “Blasted Allegories. Werke aus der Sammlung Ringier”, Kunstmuseum Luzern<\/td><\/tr> 2007<\/td> “The Hamster Wheel”, Tese della Novissima, Arsenale, Venedig<\/td><\/tr> <\/td> “zu Gironcoli”, eine Hommage Gironcoli Museum, St. Johann b. Herberstein <\/td><\/tr> <\/td> “Disorder in the House”, Vanhaerents Art Collection, Br\u00fcssel<\/td><\/tr> <\/td> “Pr\u00e4zision und Wahnsinn”, Kunstmuseum Wolfsburg , Wolfsburg<\/td><\/tr> <\/td> “Une question de g\u00e9n\u00e9ration”, Mus\u00e9e d’art contemporain de Lyon<\/td><\/tr> <\/td> “our magic hour”, Arario Gallery, Cheonan, S\u00fcd-Korea<\/td><\/tr> <\/td> “INTO ME \/ OUT OF ME”, MACRO Rom<\/td><\/tr> <\/td> “Return to C\u00e9zanne”, Collection Lambert, Avignon<\/td><\/tr> <\/td> “Centre Pompidou Video Art 1965-2005”,Museum of Contemporary Art, Sydney<\/td><\/tr> 2006<\/td> “CONTOS DIXITAIS”, CGAC Centro Galego de Arte Contempor\u00e0nea, Santiago de Compostela<\/td><\/tr> <\/td> Newcastle Gateshead Winter Festival, NVA Organisation, Glasgow <\/td><\/tr> <\/td> “Street: behind the clich\u00e9”, Witte de With \u2013 Center for Contemporary Art, Rotterdam<\/td><\/tr> <\/td> “Lifestyle \u2013 From Subculture to High Fashion”, Kunstmuseum St. Gallen<\/td><\/tr> <\/td> “Ic\u00f4nes”, Espace Louis Vuitton, Paris<\/td><\/tr> <\/td> “black\/white & chewing gum”, Galerie Krobath Wimmer<\/td><\/tr> <\/td> \u201eINTO ME\/OUT OF ME\u201c, KW Berlin \/ P.S.1 Contemporary Art Center, New York<\/td><\/tr> <\/td> “Eye on Europe: Prints, Books & Multiples\/1960 to Now”, MOMA, New York<\/td><\/tr> <\/td> “nach Schiele”, Atelier Augarten, Wien<\/td><\/tr> <\/td> “Super Vision”, Institute of Contemporary Art, Boston<\/td><\/tr> <\/td> “La Force de l\u2019art”, Grand Palais, Paris<\/td><\/tr> <\/td> “Don Giovanni: Zwei plus zwei gleich vier. Oder \u201eLust ist der einzige Schwindel, dem ich Dauerw\u00fcnsche.\u201c Ursula Blickle Stiftung, Kraichtal-Unter\u00f6wisheim<\/td><\/tr> <\/td> “DON JUAN alias Don Giovanni”, Kunsthalle Wien, Wien<\/td><\/tr> <\/td> “Egomania”, Galleria Civica, Modena<\/td><\/tr> <\/td> “The scarecrow”, Averoff Museum, Athen<\/td><\/tr> <\/td> “Inner go go”, Vamiali, Athen<\/td><\/tr> <\/td> “Gay Chic \u2013 von der Subkultur zum Mainstream”, Museum f\u00fcr Gestaltung, Z\u00fcrich<\/td><\/tr> <\/td> “Handsome”, Galerie Analix Forever, Genf<\/td><\/tr> <\/td> “Winterausstellung”, Esther Schipper, Berlin<\/td><\/tr> 2005<\/td> Contemporary Swiss Art, Chiba City Museum of Art, Chiba<\/td><\/tr> <\/td> “Looking at Words \u2013 The Formal Presence ofText in Modern and Contemporary Works on Paper”, AndreaRosen Gallery, New York<\/td><\/tr> <\/td> “Ambiance”, Kunstsammlung im St\u00e4ndehaus, D\u00fcsseldorf<\/td><\/tr> <\/td> “Chambres \u00e0part”, Hotel Sezz, Paris<\/td><\/tr> <\/td> “Fragile”, Galerie Analix Forever, Genf<\/td><\/tr> <\/td> “Private View \u2013 Collection Pierre Huber”, Mus\u00e9e Cantonal des Beaux-Arts, Lausanne<\/td><\/tr> <\/td> 2nd Prague Biennale, Prag<\/td><\/tr> <\/td> “Swiss Video”, Bunkier Sztuki, Krakau<\/td><\/tr> <\/td> “Das Neue II”, Atelier Augarten, Wien<\/td><\/tr> <\/td> “Colecci\u00f3n Helga de Alvear”, Museo Extremeno e Iberoamericano, Badajoz<\/td><\/tr> <\/td> “Swiss Made (The Art Of Falling Apart). Collection Hauser & Wirth”, Cobra Museum of Modern Art, Amsterdam<\/td><\/tr> <\/td> “Universal Experience: Art, Life and the Tourist\u2019s Eye”, Museum of Contemporary Art, Chicago<\/td><\/tr> <\/td> “Universal Experience: Art, Life and the Tourist\u2019s Eye”, Hayward Gallery, London<\/td><\/tr> <\/td> “Der Traum Vom Ich. Der Traum Von Der Welt”, Fotomuseum Winterthur<\/td><\/tr> <\/td> “Zur Vorstellung des Terrors: Die RAF”, Kunst-Werke, Berlin<\/td><\/tr> 2004<\/td> 54th Carnegie International, Carnegie Museum of Art, Pittsburg<\/td><\/tr> <\/td> “Sammlung Ann und J\u00fcrgen Wilde”, Sprengel Museum Hannover, Hannover<\/td><\/tr> <\/td> “Hard Light”, P.S.1 Contemporary Art Center, Brooklyn, NY<\/td><\/tr> <\/td> “WORKS AND DAYS”, Louisiana Museum of Modern Art, Humleb\u00e6k<\/td><\/tr> <\/td> Cheim & Reid, New York. <\/td><\/tr> <\/td> SMC . CAC Contemporary Art Centre, Vilnius<\/td><\/tr> <\/td> MAC, Galeries Contemporaines des Mus\u00e9es de Marseille<\/td><\/tr> <\/td> “L\u00b4Air du Temps collection pringtemps\/\u00e9t\u00e9 2004”, Migros Museum f\u00fcr Gegenwartskunst, Z\u00fcrich <\/td><\/tr> <\/td> \u201cLa Grande Parade, Portrait de l\u2019artiste en clown\u201d, Grand Palais, Paris<\/td><\/tr> <\/td> Mus\u00e9e des Beaux-Arts du Canada, Ottawa, Kanada<\/td><\/tr> 2003<\/td> “Le monde selon Francois Dubois”, Mus\u00e9e Cantonal des Beaux-Arts, &Mac226, Lausanne<\/td><\/tr> <\/td> “sculpture”, Matthew Marks Gallery, & Mac 226, New York<\/td><\/tr> <\/td> Biennale d’Art Contemporain de Lyon, Lyon<\/td><\/tr> <\/td> Stiftung Binz 39, Z\u00fcrich<\/td><\/tr> <\/td> Kunstpanorama, Luzern<\/td><\/tr> <\/td> “Love”, Magazin 4, Vorarlberger Kunstverein + Bregenzer Kunstverein, Bregenz<\/td><\/tr> <\/td> “Lee 3 Tau Ceti Central Armory Show”, Villa Arson, Nizza<\/td><\/tr> <\/td> “The DaimlerChrysler Collection”, Museum f\u00fcr neue Kunst ZKM Karlsruhe, Karlsruhe<\/td><\/tr> <\/td> “tapas e video, Video by bvb”, Moph cafe, Tokyo<\/td><\/tr> <\/td> “story faces”, Galerie Mirko Mayer, K\u00f6ln<\/td><\/tr> <\/td> “Carosseries, automobiles, art, architectures”, La Galerie Du Petit Chateau, Sceaux<\/td><\/tr> <\/td> “Not neutral: Contemporary Swiss Photography”, Grey Art Gallery, New York<\/td><\/tr> <\/td> “Collustre”, Collection Lambert, Avignon<\/td><\/tr> <\/td> “Psychodrome 04”, Fundaci\u00f3 Joan Mir\u00f3, Barcelona<\/td><\/tr> <\/td> “Urban diaries. Young artists from Switzerland”, Alcala 31, Madrid<\/td><\/tr> <\/td> “Breathing the water”, Galerie Hauser & Wirth & Presenhuber, Z\u00fcrich<\/td><\/tr> <\/td> “Durchzug\/Draft”, Kunsthalle Z\u00fcrich, Z\u00fcrich<\/td><\/tr> 2002<\/td> “Loop: Back to the Beginning”, Contemporary Arts Center, Cincinnati<\/td><\/tr> <\/td> “bienvenue willkommen welcome @ altkirch”, CRAC Alsace, Altkirch<\/td><\/tr> <\/td> “Jour de cirque”, Grimaldi Forum, Monaco<\/td><\/tr> <\/td> “Drawing now \u2013 Eight propositions”, MoMA QNS, Long Island City<\/td><\/tr> <\/td> “Je t\u2019aime … moi non plus”, Halle au Poisson, Perpignan<\/td><\/tr> <\/td> “I don’t live here anymore”, St\u00e4dtische Galerie Villingen Schwenningen, Villingen Schwenningen<\/td><\/tr> <\/td> “Octopus”, Brugge<\/td><\/tr> <\/td> “I don’t live here anymore”, Hallescher Kunstverein, Halle<\/td><\/tr> <\/td> “Lowland Lullaby”, Swiss Institute, New York<\/td><\/tr> <\/td> “Zeitgen\u00f6ssische Fotokunst aus der Schweiz”, Neuer Berliner Kunstverein (nbk), Berlin<\/td><\/tr> <\/td> “Self\/In material Conscience”, Fondation Sandretto (Guarene), Turin<\/td><\/tr> 2001<\/td> Liverpool Biennale, Liverpool<\/td><\/tr> <\/td> Galerie Krobath Wimmer, Wien<\/td><\/tr> <\/td> “Tenth Anniversary Exhibiton \u2013 100 Drawings and Photographs”, Matthew Marks Gallery, New York<\/td><\/tr> <\/td> “Printemps de septembre. Fantastique”, Toulouse<\/td><\/tr> <\/td> “Loop \u2013 Alles auf Anfang”, Kunsthalle der Hypokulturstiftung, M\u00fcnchen<\/td><\/tr> <\/td> “Mouvements Immobiles”, Mus\u00e9e d\u2019art Moderne, Buenos Aires<\/td><\/tr> <\/td> “Salons de musique”, Mus\u00e9e d\u2019art moderne et contemporain de Strasbourg, Strasbourg<\/td><\/tr> <\/td> “Surface Lisse”, Mus\u00e9e de la photographie, Mougins\/F<\/td><\/tr> <\/td> Centre Pompidou, Paris<\/td><\/tr> <\/td> “dai, dai, dai, where do we go from here?”, Netherlands Institut voor Mediakunst, Amsterdam<\/td><\/tr> <\/td> “Fingerspitzengef\u00fchl der menschliche K\u00f6rper in der Gegenwartskunst”, Galerie der Stadt Sindelfingen, Sindelfingen<\/td><\/tr> <\/td> The Irish Museum of Modern Art IMMA, Dublin<\/td><\/tr> <\/td> “Gestes”, Mus\u00e9e des beaux-arts de Montr\u00e9al, Montr\u00e9al<\/td><\/tr> <\/td> “Sammlung DaimlerChrysler. Neuerwerbungen\/New Acquisitions”, DaimlerChrysler Contemporary, Berlin<\/td><\/tr> <\/td> “Let\u2019s entertain”, Miami Art Museum, Miami<\/td><\/tr> <\/td> “Let\u2019s entertain”, Kunstmuseum Wolfsburg, Wolfsburg<\/td><\/tr> 2000<\/td> “Let\u2019s entertain”, Mus\u00e9e National d’Art Moderne, Centre Georges Pompidou, Paris <\/td><\/tr> <\/td> “Landschaftsr\u00e4ume”, Neues Kunstmuseum Luzern, Luzern<\/td><\/tr> <\/td> “Life after the Squirrel”, Location one, New York<\/td><\/tr> <\/td> “Face \u00e0 Face”, Kunstpanorama, Luzern<\/td><\/tr> <\/td> “Heart”, Centro d’Arte Contemporanea Ticino, Bellinzona<\/td><\/tr> <\/td> “come in and find out, vol.4”, Podewil, Berliner Kunstveranstaltungs, kuratiert von Klara Wallner, Berlin<\/td><\/tr> <\/td> “Let\u2019s entertain”, Portland Art Museum, Portland<\/td><\/tr> <\/td> “le jeu des 7 familles”, La Fondation Mamco et Le Mus\u00e9e d’art moderne et contemporain, Genf<\/td><\/tr> <\/td> “une mise en sc\u00e8ne du r\u00e9el: artiste\/acteur”, Villa Arson, Nizza<\/td><\/tr> <\/td> “Premio Michetti”, Fondazione Michetti, kuratiert von Gianni Romano, Francavilla al Mare, Italien<\/td><\/tr> <\/td> “Volume: Bed of Sound”, P.S.1, New York<\/td><\/tr> <\/td> Sommer Contemporary Art , Tel Aviv<\/td><\/tr> <\/td> “Pr\u00e9sum\u00e9 innocent”, Mus\u00e9e d`art contemporain de Bordeaux, Bordeaux<\/td><\/tr> <\/td> “Over the edges”, Stedelijk Museum voor Actuele Kunst, Gent<\/td><\/tr> <\/td> “Video Positive 2000-the other side of zero”, Bluecoast chambers, Liverpool<\/td><\/tr> <\/td> “Let\u2019s entertain”, Walker Art Center, Minneapolis<\/td><\/tr> <\/td> “M\u00e9caniste”, KIAD, Canterbury<\/td><\/tr> <\/td> “Under the Same Sky”, KIASMA, Helsinki<\/td><\/tr> <\/td> “Living In The Real World”, Museum Dhondt-Dhaenens, kuratiert von Hilde Teerlinck, Dohndt-Dhaenenes<\/td><\/tr> <\/td> “Ich ist etwas anderes”, Kunstsammlung Nordrhein-Westfalen, D\u00fcsseldorf<\/td><\/tr> <\/td> “Eurovision”, Saatchi Gallery, London<\/td><\/tr> 1999<\/td> “L’autre sommeil”, Mus\u00e9e d’ Art Moderne de la Ville de Paris, Paris<\/td><\/tr> <\/td> “Sans reserve 1”, Mus\u00e9e de Strasbourg, Strasbourg<\/td><\/tr> <\/td> “The Passion And The Wave”, 6th International Istanbul Biennial, kuratiert von Paolo Colombo, Istanbul<\/td><\/tr> <\/td> “Missing Link”, Kunstmuseum Bern, kuratiert von Christoph Doswald, Bern<\/td><\/tr> <\/td> “D A CH”, Galerie Krinzinger im Benger Park, Bregenz<\/td><\/tr> <\/td> “trans sph\u00e8re”, FRAC Poitou-Charentes, kuratiert von Philippe R\u00e9gnier, Angoul\u00eame, France<\/td><\/tr> <\/td> “Spillerom”, Lofoten Arts Festival, Svolv\u00e6r<\/td><\/tr> <\/td> “Le Repubbliche dell\u2019arte”, Palazzo delle Papesse, Siena<\/td><\/tr> <\/td> “Trouble Spot. Painting”, Museum van Hedendaagse Kunst, Antwerpen<\/td><\/tr> <\/td> “Signs Of Life”, 1st Melbourne International Biennial, Melbourne<\/td><\/tr> <\/td> “Rosa f\u00fcr Jungs\/Hellblau f\u00fcr M\u00e4dchen”, NGBK, Berlin<\/td><\/tr> <\/td> “XN99”, Espace des Arts, Chalon sur Saone<\/td><\/tr> 1998<\/td> “Dogdays Are Over”, Centre Culturel Suisse, Paris<\/td><\/tr> <\/td> “Time After Time”, Emily Tsingou Gallery, London<\/td><\/tr> <\/td> “Auf der Spur \u2013 Kunst der 90er Jahre im Spiegel von Schweizer Sammlungen”, Kunsthalle Z\u00fcrich, Z\u00fcrich<\/td><\/tr> <\/td> “Weather Everything”, Galerie f\u00fcr zeitgen\u00f6ssische Kunst Leipzig, Leipzig<\/td><\/tr> <\/td> “A Streetwalk Named Desire”, Luzern<\/td><\/tr> <\/td> “Berlin\/Berlin”, Berlin Biennial, kuratiert von Nancy Spector, Klaus Biesenbach, Hans-Ulrich Obrist, Berlin<\/td><\/tr> <\/td> “Libera mente”, Palazzo del Capitano, Cesena<\/td><\/tr> <\/td> Matthew Marks Gallery, with Joseph Grigely and Millie Wilson, New York<\/td><\/tr> <\/td> “Kunstausstellung Holderbank”, Holderbank<\/td><\/tr> <\/td> “From the Corner of the Eye”, Stedelijk Museum, Amsterdam<\/td><\/tr> <\/td> “Nonchalance Revisted. Junge Schweizer Kunst”, Akademie der K\u00fcnste, kuratiert von Christoph Doswald, Berlin<\/td><\/tr> <\/td> “Grenzenlos”, Art Club Berlin as guest in the Mies van der Rohe Pavillon, Barcelona<\/td><\/tr> <\/td> “4. Internationale Foto-Triennale”, Villa Merkel, Esslingen<\/td><\/tr> <\/td> “Freie Sicht aufs Mittelmeer”, Kunsthaus Z\u00fcrich, Z\u00fcrich<\/td><\/tr> <\/td> “Freie Sicht aufs Mittelmeer”, Kunstverein Frankfurt, Frankfurt a\/M<\/td><\/tr> <\/td> “Don\u2019t Look Now”, Galerie Walcheturm, Z\u00fcrich<\/td><\/tr> <\/td> “Homo Zappiens ZappiensHomo Zappiens Zappiens”, Universit\u00e9 de Rennes, Rennes<\/td><\/tr> <\/td> “Aids Worlds”, Centre d\u2019Art Contemporain, Genf<\/td><\/tr> <\/td> “Altered States”, Utrecht<\/td><\/tr> 1997<\/td> “Foto Relations”, Kunsthaus, Br\u00fcnn<\/td><\/tr> <\/td> “Rear window”, Galerie Almine Rech, Paris<\/td><\/tr> <\/td> “Fort! Da! Cooperations”, Villa Merkel, Esslingen<\/td><\/tr> <\/td> “Disaster and Recovery”, The Swiss Institute, New York<\/td><\/tr> <\/td> “Why don\u2019t we do it in the road”, Cato Jans, Der Raum, Hamburg<\/td><\/tr> <\/td> “Diskland snowscape”, Shed im Eisenwerk, kuratiert von Harm Lux, Frauenfeld, Schweiz<\/td><\/tr> <\/td> “504”, Hochschule f\u00fcr Bildende K\u00fcnste, Ausstellungsprojekt der Klasse Armleder, Braunschweig<\/td><\/tr> <\/td> Festival Atlantico, Lissabon<\/td><\/tr> <\/td> Galleria Nazionale d\u2019Arte Moderna e Contemporanea, Rom (mit Jessica Diamond)<\/td><\/tr> <\/td> “Transit”, Centro d\u2019Arte Contemporanea Ticino, Bellinzona<\/td><\/tr> <\/td> “Landschaft heute”, Talmuseum, Engelberg, Schweiz<\/td><\/tr> <\/td> “Ruhm und Ehre”, Galerie der Stadt Schwaz im Palais Enzenberg, Schwaz, \u00d6sterreich<\/td><\/tr> <\/td> “Dramatically Different”, Le Magasin, Grenoble<\/td><\/tr> 1996<\/td> “Nonchalance”, Centre PasquArt, Biel, Schweiz<\/td><\/tr> <\/td> “Where do we go from here?”, Biennale Sao Paulo, Sao Paulo<\/td><\/tr> <\/td> “Young Art \u2013 Forum der jungen Schweizer Kunst, 50 Jahre Providentia”, Kunsthalle Bern, Bern<\/td><\/tr> <\/td> “Non! Pas comme ca!”, Centre d\u2019Art Neuch\u00e0tel, Neuch\u00e2tel<\/td><\/tr> <\/td> “Conversation Pieces II”, ICA, Philadelphia<\/td><\/tr> <\/td> “The Agression of Beauty”, Galerie Arndt & Parnter, Berlin<\/td><\/tr> <\/td> “Macht der Verf\u00fchrung”, Interims Kunsthalle, Berlin<\/td><\/tr> <\/td> “Cabines de bain”, Attitude, Fribourg<\/td><\/tr> <\/td> “Radikale Bilder. 2. \u00d6sterreich.Triennale zur Fotografie”, Neue Galerie und K\u00fcnstlerhaus, Graz<\/td><\/tr> <\/td> “Radikale Bilder”, Kunsthalle Szombathely, Szombathely<\/td><\/tr> <\/td> “Mod\u00e8les Corrig\u00e9s”, Coll\u00e8ge Marcel Duchamp, Ch\u00e2teauroux<\/td><\/tr> 1995<\/td> “Files”, Bunker 4th floor, Berlin<\/td><\/tr> <\/td> “The Pleasure of Merely Circulating”, Memory\/Cage Edition, Z\u00fcrich<\/td><\/tr> <\/td> “Livres D\u2019Artistes”, Centre d\u2019Art Contemporain, Genf<\/td><\/tr> <\/td> “Lanschaft mit dem Blick der 90er Jahre”, Mitterheinmuseum, Koblenz<\/td><\/tr> <\/td> “Lanschaft mit dem Blick der 90er Jahre”, Museum Schlossburg a.d.Saale, Berlin<\/td><\/tr> <\/td> “Lanschaft mit dem Blick der 90er Jahre”, Haus am Waldsee, Berlin<\/td><\/tr> <\/td> “Fields”, Zypressenstrasse 71, kuratiert von Harm Lux, Z\u00fcrich<\/td><\/tr> <\/td> “Kunstpreis der B\u00f6ttcherstrasse in Bremen”, Kunsthalle, Bremen<\/td><\/tr> <\/td> “Entr\u00e9e en mati\u00e8re”, Ecole sup\u00e9riere d\u2019arts Visuels, Lausanne<\/td><\/tr> <\/td> “Oh Pain Oh Life”, Helmhaus, Z\u00fcrich<\/td><\/tr> <\/td> “Private Welten”, Galerie Peter Kilchmann, Z\u00fcrich<\/td><\/tr> 1994<\/td> “Snow Job”, Forde, kuratierti von Lionel Bovier, Genf<\/td><\/tr> <\/td> Kunsthalle Palazzo Liestal, Liestal (mit A. Schnider, F. Valloton)<\/td><\/tr> <\/td> “Passing Through”, Galerie Walchturm, kuratiert von Ugo Rondinone, Z\u00fcrich<\/td><\/tr> <\/td> “Lokalzeit \u2013 Wiener Material im Spiegel des Unbehagens”, Raum Strohal, kuratiert von Peter Weibel, Wien<\/td><\/tr> <\/td> “Endstation Sehnsucht”, Kunsthaus, Z\u00fcrich<\/td><\/tr> <\/td> “Oh boy, it\u2019s a girl”, Kunstverein M\u00fcnchen, M\u00fcnchen<\/td><\/tr> <\/td> “Oh boy, it\u2019s a girl”, Messepalast Wien, Wien<\/td><\/tr> <\/td> Steirischer Herbst, kuratiert von Paolo Bianchi, Graz<\/td><\/tr> <\/td> “Suspension”, Fotohof Salzburg, Salzburg<\/td><\/tr> <\/td> “Suspension”, Fotoforum, Innsbruck<\/td><\/tr> <\/td> Galerie im Taxispalais, Innsbruck<\/td><\/tr> 1993<\/td> “Papierarbeiten & einige Skulpturen”, Galerie Six Friedrich, M\u00fcnchen<\/td><\/tr> <\/td> “Changing I”, Shedhalle, Z\u00fcrich<\/td><\/tr> <\/td> “Prospect 93”, Frankfurter Kunstverein, Frankfurt am Main<\/td><\/tr> <\/td> “Hellbound”, Centre d\u2019Art Contemporain Martigny, Martigny<\/td><\/tr> <\/td> “Serial”, Michelle Nicol Shop, Z\u00fcrich<\/td><\/tr> <\/td> “Donau”, Mucsarnok, Salamon Torony, Visegard<\/td><\/tr> <\/td> “Die Sprache der Kunst”, Kunsthalle Wien, Wien<\/td><\/tr> 1992<\/td> “Die Sprache der Kunst”, Frankfurter Kunstverein, Frankfurt am Main<\/td><\/tr> <\/td> Kunstmuseum Luzern, Luzern (mit U. Fischer, C. di Gallo)<\/td><\/tr> <\/td> “Oh! Cet \u00e9cho!”, Centre Culturel Suisse, Paris<\/td><\/tr> 1991<\/td> “20 fragile pieces”, Galerie B. & L. Polla-Annalix, Genf<\/td><\/tr> <\/td> “Chamer R\u00e4ume”, Cham<\/td><\/tr> <\/td> “\u00dcber dem R\u00f6stigraben”, Nassauischer Kunstverein, Wiesbaden<\/td><\/tr> 1990<\/td> “Stillstand Switches”, Shedhalle, Z\u00fcrich<\/td><\/tr> 1989<\/td> Kunstmuseum Luzern, Luzern<\/td><\/tr> <\/td> “Igitur”, Kunsthalle Winterthur, Winterthur<\/td><\/tr> <\/td> Kunstmuseum Luzern, Weihnachtsausstellung<\/td><\/tr> 1988<\/td> “Spiel der Spur”, Shedhalle, Z\u00fcrich<\/td><\/tr> 1987<\/td> Seedamm Kulturzentrum, Pf\u00e4ffikon<\/td><\/tr> 1986<\/td> Galerie M2, Vevey<\/td><\/tr> 1985<\/td> “Weihnachstausstellung”, Kunstmuseum Luzern, Luzern<\/td><\/tr> <\/td> “Junge Schweizer”, Shedhalle, (mit U. Frei + D. Zimmermann), Z\u00fcrich<\/td><\/tr><\/tbody><\/table><\/figure>\n<\/div>\n<\/div>\n\n\n\n Projekte (Auswahl)<\/h2>\n\n\n\n
2023<\/td> the sun + the moon, Storm King Arts Center, New Windsor, NY<\/td><\/tr> 2022<\/td> the sincere, Rennes M\u00e9tropole, Ville de Rennes, France<\/td><\/tr> 2015<\/td> “Ici”, Le Grand Parc Miribel Jonage, Lyon<\/td><\/tr> <\/td> Art Basel, M\u00fcnsterplatz, Basel<\/td><\/tr> 2014<\/td> “Die Vier Jahreszeiten”, Kunst am Bau, Baden<\/td><\/tr> <\/td> “le sage”, Art & Tram, Tramway tcob, Geneva-onex <\/td><\/tr> 2011<\/td> “We Are Poems”, LVHM, Palais an der Oper, Munich <\/td><\/tr> 2005<\/td> “hier”, Kunst am Bau, Wohnsiedlung Werdwies, Zurich-Altstetten <\/td><\/tr> <\/td> new residence of the swiss embassy, Washington DC<\/td><\/tr> 2004<\/td> “worldwide”, showcases, Louis Vuitton<\/td><\/tr> <\/td> LVHM, headquarter Avenue Montaigne, Paris<\/td><\/tr> <\/td> fitting rooms, Dior Homme, New York <\/td><\/tr> 2002<\/td> “cry me a river”, Semapa et Galerie Almine Rech, Paris #2001<\/td><\/tr> <\/td> fa projects, london<\/td><\/tr> 2000<\/td> “Mont Blanc Art Opening”, New York <\/td><\/tr> 1998<\/td> epa Schaufenster, Lucerne<\/td><\/tr><\/tbody><\/table><\/figure>\n<\/div>\n\n\n\n Editionen<\/h2>\n\n\n\n
2013<\/td> “M Museum”, Leuven, Leuven landscapes Ugo Rondinone poems, gold mask edition<\/td><\/tr> 2012<\/td> cumulus studio, New York counter editions, New York<\/td><\/tr> 2011<\/td> Ingleby Gallery, Edinburgh<\/td><\/tr> 2010<\/td> Aargauer Kunsthaus, Aarau<\/td><\/tr> <\/td> Neuer Berliner Kunstverein, Berlin<\/td><\/tr> 2009<\/td> Museo De Arte Contempor\u00e1neo de Castilla, L\u00e9on Edition Kopenhagen \/ World House Editions <\/td><\/tr> <\/td> Festival d\u2019Automne \u00e0 Paris<\/td><\/tr> 2008<\/td> Sculpture Center, New York<\/td><\/tr> 2007<\/td> Edition 5, Erstfeld<\/td><\/tr> 2006<\/td> Edition Kopenhagen \/ World House editions Whitechapel Gallery, London<\/td><\/tr> 2004<\/td> Edition 5, Erstfeld 2002<\/td><\/tr> <\/td> Graphische Sammlung ETH Zurich Art Investor, Munich Contemporary Magazine, London<\/td><\/tr> 2001<\/td> Frankfurter Kunstverein, Frankfurt<\/td><\/tr> 1999<\/td> Kunsthaus Glarus, Glarus<\/td><\/tr> 1998<\/td> Parkett no. 52, Zurich<\/td><\/tr> 1997<\/td> Portfolio, Galerie Walcheturm + Galerie Hauser & Wirth 2, zurich k\u00f6lnischer Kunstverein, Cologne<\/td><\/tr> 1996<\/td> memory\/cage edition, Zurich <\/td><\/tr> 1992<\/td> Kunstmuseum Luzern, Lucerne<\/td><\/tr> 1991<\/td> Galerie Walcheturm, Zurich<\/td><\/tr><\/tbody><\/table><\/figure>\n<\/div>\n<\/div>\n","protected":false},"featured_media":7211,"template":"","class_list":["post-1306","person","type-person","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.galeriekrobath.at\/en\/wp-json\/wp\/v2\/person\/1306","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.galeriekrobath.at\/en\/wp-json\/wp\/v2\/person"}],"about":[{"href":"https:\/\/www.galeriekrobath.at\/en\/wp-json\/wp\/v2\/types\/person"}],"version-history":[{"count":15,"href":"https:\/\/www.galeriekrobath.at\/en\/wp-json\/wp\/v2\/person\/1306\/revisions"}],"predecessor-version":[{"id":11313,"href":"https:\/\/www.galeriekrobath.at\/en\/wp-json\/wp\/v2\/person\/1306\/revisions\/11313"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.galeriekrobath.at\/en\/wp-json\/wp\/v2\/media\/7211"}],"wp:attachment":[{"href":"https:\/\/www.galeriekrobath.at\/en\/wp-json\/wp\/v2\/media?parent=1306"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}