{"id":1325,"date":"2021-05-26T12:40:10","date_gmt":"2021-05-26T12:40:10","guid":{"rendered":"https:\/\/neu.galeriekrobath.at\/artists\/tischer-jenni\/"},"modified":"2024-06-14T12:24:07","modified_gmt":"2024-06-14T12:24:07","slug":"tischer-jenni","status":"publish","type":"person","link":"https:\/\/www.galeriekrobath.at\/en\/artists\/tischer-jenni\/","title":{"rendered":"Tischer, Jenni"},"content":{"rendered":"\n

Jenni Tischer<\/h2>\n\n\n\n

Lives and works in Berlin and Vienna.

1979<\/strong> born in Germany
2004-2006<\/strong> Fine Arts at HfBK Dresden
2007<\/strong> Artist in Residence, Unit\u00e9 d\u00b4Habitation, Le Corbusier House Berlin
2006-2010<\/strong> Academy of Fine Arts Vienna (Monika Bonvicini and Dorit Margreiter)
2010-2011<\/strong> Editor at \u201eTexte zur Kunst\u201c, Berlin
2014<\/strong> Kunsthalle Wien Art Critics Awards Jury Member
2017<\/strong> Workshop \u201eGrid im Spiegel von Digitalit\u00e4t und Bildender Kunst”
2017\/2018<\/strong> Gender\/Queer professorship at the Academy of Fine Arts Vienna
2019 –<\/strong> Professorship University of Applied Arts Vienna<\/p>\n\n\n\n

Awards & Scholarships<\/h2>\n\n\n\n

2013<\/strong> 15. Baloise-Art-Award at Art Basel <\/p>\n\n\n\n

2019<\/strong> Stiftung Kunstfonds work scholarship
MAK-Schindler scholarship Los Angeles<\/p>\n\n\n\n

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Solo Exhibitions (Selection)<\/h2>\n\n\n\n
2023<\/td>HARD FACTS (I SEE \/ YOU MEAN), Galerie Krobath Wien<\/td><\/tr>
2017<\/td>Art Berlin Fair for Modern and Contemporary Art, Galerie Krobath, Berlin<\/td><\/tr>
<\/td>“I`m a Stranger here Myself”, Drawing Room, Hamburg<\/td><\/tr>
2016<\/td>“Meeting Point”, Kunstforum Baloise, Basel Fortune, <\/td><\/tr>
<\/td>Krobath, Vienna<\/td><\/tr>
<\/td>Art Rotterdam, Booth Krobath<\/td><\/tr>
2015<\/td>“Pin Down” Drawing Room, Hamburg<\/td><\/tr>
<\/td>“Making (Sides)”, Sammlung Berkson, Wien<\/td><\/tr>
2014<\/td>Jenni Tischer – Baloise Kunst-Preis, mumok Wien<\/td><\/tr>
2013<\/td>Art Basel, Statement<\/td><\/tr>
<\/td>\u201eSecond, Third, Fourth Maker\u201c, Krobath, Wien<\/td><\/tr>
<\/td>“Proben aufs Exempel”, Film Screening, mumok Wien<\/td><\/tr>
2012<\/td>\u201eSecond, Third, Fourth Maker\u201c, Krobath, Berlin<\/td><\/tr>
<\/td>art berlin contemporary, Berlin<\/td><\/tr>
<\/td>\u201eSoliloquy\u201c, curated by Thomas Thiel, Bielefelder Kunstverein, Bielefeld<\/td><\/tr>
2011<\/td>\u201eEvelin (eleven)\u201c in \/ at Dolores, Project Space Gallery Ellen de Bruijn, Amsterdam<\/td><\/tr>
2009<\/td>\u201eAlle eure Farben\u201c, Saprophyt, Raum zur Realisierung k\u00fcnstlerischer Projekte und Interventionen, Wien \/ Vienna<\/td><\/tr><\/tbody><\/table><\/figure>\n<\/div>\n\n\n\n
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Group Exhibitions (Selection)<\/h2>\n\n\n\n
2020<\/td>Groupshow Krobath Wien, Wien (A)<\/td><\/tr>
2019<\/td>FINAL PROJECTS: Group XLVII. The Santee Alley, MAK Schindler Garage Top, Los Angeles <\/td><\/tr>
<\/td>A Platform Here\u2019s a Train of Thought<\/td><\/tr>
<\/td>Tiger Strikes Asteroid at SPRING\/BREAK Art Show Los Angeles<\/td><\/tr>
2018<\/td>“MILIEU at After the Butcher, Berlin” (Katharina Aigner, Maria Eichhorn, Stephanie Taylor, Mirjam Thomann, titre provisoire, Jenni Tischer)<\/td><\/tr>
<\/td>“Sexy and Cool”. Minimal goes emotional at Kunsthalle T\u00fcbingen (Adel Abdessemed, Absalon, Silvia B\u00e4chli, Martin Creed, Lara Favaretto, Sylvie Fleury, Mary Heilmann, Eva Hesse, Linda Karshan, Mariella Mosler, Ruth Root, Eva Rotschild, Jenni Tischer, Franz Erhard Walther et.al)<\/td><\/tr>
<\/td>“Wiener Raum at Universit\u00e4tsgalerie der Angewandten Vienna” ( Jos de Gruyter & Harald Thys, Sonia Leimer, Lucy McKenzie, Manfred pernice, Margarethe Sch\u00fctte-Lihotzky, Nora Schultz, Mirjam Thomann, Sofie Thorsen, Jenni Tischer, Amelie von Wulffen, Heimo Zobernig et. al) <\/td><\/tr>
<\/td>“Der Komfort Kuppel Komplex at Lothringen13 Halle in Munich” (Augarten Porzellanmanufaktur Wien, Shannon Bool, Fred Forest, Yona Friedman, William Klein, Jenni Tischeret. al)<\/td><\/tr>
<\/td>“Collage” Krobath Vienna (Sofie Thorsen, Dominik Lang, Jiri Kolar, Jiri Kovanda, Katja Strunz, Jenni Tischer)<\/td><\/tr>
2017<\/td>“Fashion: Walking the Line between Craft and Tech”. me Collectors Room, Berlin<\/td><\/tr>
<\/td>“showerthoughts”, project space Pferd, Vienna<\/td><\/tr>
2015<\/td>“Dinge und Dialoge”, Scriptings, Berlin<\/td><\/tr>
<\/td>“Destination Wien 2015”, Kunsthalle Wien<\/td><\/tr>
2014<\/td>“Design Lab” MAK, Museum f\u00fcr Angewandte Kunst, Wien<\/td><\/tr>
2013<\/td>“Der feine Unterschied”, Kunstverein Langenhagen<\/td><\/tr>
<\/td>“The Chic Boutique, Art with Function”, Adds Donna Chicago<\/td><\/tr>
2012<\/td>art berlin contemporary, Berlin<\/td><\/tr>
<\/td>xposit, die Alumni-Ausstellungsreihe der Akademie der bildenden K\u00fcnste, Wien<\/td><\/tr>
<\/td>Film Screening mit Jenni Tischer, Bernadette Anzengruber, Galerie Lisa Ruyter, Wien<\/td><\/tr>
2011<\/td>\u201eGet Concrete At Some Point\u201c mit \/ with Falke Pisano and Simone Schardt, curated by Sabeth Buchmann, Gallery Krobath, Berlin<\/td><\/tr>
2009<\/td>\u201eProjekt Projektion\u201c, curated by Matthias Michalka, Wien \/ Vienna <\/td><\/tr>
<\/td>\u201eEmpfindung, oder in der N\u00e4he der Fehler liegen die Wirkungen\u201c curated by Eva-Maria Stadler, Augarten Contemporary, Wien \/ Vienna <\/td><\/tr><\/tbody><\/table><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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Exhibition Reviews (Selections)<\/h2>\n\n\n\n
2014<\/td>Der Standard: “Mit N\u00e4hern besteckt”, Roman Gerold \u00fcber “PIN” im Mumok Wien 2014<\/td><\/tr>
<\/td>Parnass: Atelierbesuch bei der Berliner K\u00fcnstlerin Jenni Tischer, 2014<\/td><\/tr>
2013<\/td>TAZ: “Feine Unterschiede”, Bettina Maria Brosowsky, 2013<\/td><\/tr>
<\/td>HAZ: “Das starke Geschlecht”, Michael Stoeber, 2013<\/td><\/tr>
<\/td>Texte zur Kunst Nr. 89: Jenny Nachtigall \u00fcber Jenni Tischer bei Krobath Berlin, 2013<\/td><\/tr>
<\/td>Der Standard: “Basis wird Bild” Ann Katrin Fessler \u00fcber Jenni Tischer bei Krobath Wien, Februar 2013<\/td><\/tr><\/tbody><\/table><\/figure>\n<\/div>\n\n\n\n
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Catalogues<\/h2>\n\n\n\n
2015<\/td>Dinge und Dialoge”, Herausgeber\/Editor: Barbara Kapusta, Rocco Page und Jenni Tischer, 2015, Wien\/Berlin<\/td><\/tr>
2014<\/td>“Pin”, mumok, Herausgeberin\/Editor: Manuela Ammer, Sternberg Press, 2014<\/td><\/tr>
2013<\/td>“Jenni Tischer”, Galerie Krobath, 2013<\/td><\/tr>
2012<\/td>“Soliloquy”, Bielefelder Kunstverein, 2012<\/td><\/tr>
2009<\/td>“In der N\u00e4he der Fehler liegen die Wirkungen”, Augarten Contemporary Wien, 2009<\/td><\/tr><\/tbody><\/table><\/figure>\n<\/div>\n<\/div>\n\n\n\n
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Texts<\/h2>\n\n\n\n
2015<\/td>\u201eMaking (Sides)\u201c, Gespr\u00e4ch zwischen den K\u00fcnstlerinnen Jenni Tischer und Ulrike K\u00f6ppinger, Wien\/Berlin\/New York, 2015<\/td><\/tr>
2014<\/td>\u201eSing me a Song with Social Significance\u201c von Manuela Ammer in: \u201ePin\u201c, Sternberg Press, 2014<\/td><\/tr>
<\/td>\u201eEin Gitter (Form) ist ein Gewebe (Material) ist ein Emblem (Funktion)\u201c von Ines Kleesattel in: \u201ePin\u201c, Sternberg Press, 2014<\/td><\/tr>
2013<\/td>\u201eSinn und Form\u201c, Gespr\u00e4ch zwischen der K\u00fcnstlerin Jenni Tischer und der Kunsttheoretikerin Ines Kleesattel, 2013 <\/td><\/tr>
<\/td>\u201eSecond, third, fourth Maker\u201c, Ausstellungstext von Mirjam Wittmann, 2013<\/td><\/tr>
2012<\/td>\u201eSoliloquy\u201c, Ausstellungstext von Cynthia Krell, 2012<\/td><\/tr><\/tbody><\/table><\/figure>\n<\/div>\n\n\n\n
<\/div>\n<\/div>\n\n\n\n

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