Krobath

ESTHER STOCKER - SCHÖN ! DAS LEBEN

MILLSTART IN MILLSTATT 2024 – A Groupexhibition from the artclub Millstart, with our artist Esther Stocker

“It is a pictorial dance of dreams, a frenzy of movement, colourfulness despite monochrome, materials and artistic genres. We celebrate life with some of the most exciting positions in contemporary art, with Carinthian artists, some of whom have never exhibited in Carinthia before, celebrate with us and join us in the exclamation and affirmation of life in artistic form! As a visitor, you can experience all the positive, joyful energy that surrounds us, energy that makes life worth living and that is reflected in our exhibits and makes them vibrate.”

Text: Curator Tanja Prušnik

The exhibition is on view from Juni 12. until Oktober 04., 2024.

Kunstverein Millstart
Kaiser-Franz-Josef-Straße 49
A-9872 Millstatt am See

JULIAN OPIE - La Llotja. 2024

Art in public space – solo exhibition

Palma de Mallorca, Spain

On view from April 26, 2024 to August 31, 2024

Courtesy by the artist

JULIAN OPIE - La Llotja. 2024

Art in public space – solo exhibition

Palma de Mallorca, Spain

On view from April 26, 2024 to August 31, 2024

Courtesy by the artist

JULIAN OPIE - La Llotja. 2024

Art in public space – solo exhibition

Palma de Mallorca, Spain

On view from April 26, 2024 to August 31, 2024

Courtesy by the artist

ART DÜSSELDORF 2024

Gallery Krobath is pleased to show a group presentation of ESTHER STOCKER, SOPHIA SÜSSMILCH, ELISA ALBERTI and ANNA MEYER

Visit us at Booth J04/J05

AREAL BÖHLER
Hansaallee 321
D-40549 Düsseldorf


ANNA MEYER - PLANET B HAUS

Krobath Wien would like to invite you to visit Anna Meyer’s exhibition “Planet B Haus” at the Bauhaus Dessau.

In the former weaving mill at the Bauhaus Building, Anna Meyer, the 2023 Residency Artist, presents a collection of new works under the title „Planet B House,“ blurring the boundaries between nature and society. Her exhibition opened on March 21st with a welcome from Director Barbara Steiner and a guided tour with Artist Anna Meyer.

“Anna Meyer‘s work is a painted criticism of the problems caused by human beings; however, it also aims to inspire a collective effort to safeguard the future of the planet. This primarily refers to geopolitical crises, the exploitation of resources, the destruction of the environment and asymmetrical gender relations. However, the artist also continually puts aesthetic conventions to the test, especially those of painting itself“ – Dr Barbara Steiner, director of the Bauhaus Dessau Foundation.

“Anna Meyer – Planet B House” can be seen from 22 March – 8 December 2024 in the Bauhaus building in Dessau.

Bauhaus Dessau, Bauhausgebäude
Gropiusallee 38, D-06846
Dessau-Roßlau

SPARK Art Fair 2024

Gallery Krobath is pleased to show a solo presentation of ESTHER STOCKER.

Visit us at Booth F3.

15.03.-17.03.2024

MARX HALLE
Karl-Farkas-Gasse 19
1030 Vienna

Art Genève 2024

Gallery Krobath is pleased to show works from UGO RONDINONE, JULIAN OPIE, ELISA ALBERTI, SEBASTIAN KOCH and GERWALD ROCKENSCHAUB.

VIP PREVIEW: Wednesday, January 24, 2 – 9 pm
Thursday, January 25, 12 – 7 pm
Friday, January 26, 12 – 8 pm
Saturday, January 27, 12 – 8 pm
Sunday, January 28, 12 – 7 pm
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📍 Palexpo – Genève
Route François-Peyrot 30
1218 Le Grand-Saconnex

Sofie Thorsen

We may congratulate SOFIE THORSEN on being awarded a price by the Danish Art Foundation “Statens Kunstfond” for her exhibition Skravering.

“If you look at Denmark from an aerial photo, you will quickly see that it looks more like a sharply drawn graphic than a curved wild natural landscape. Agriculture in Denmark has nothing to do with nature, but is man-made to such an extent that we in Denmark only have a few percent of so-called “wild nature”. Sofie Thorsen’s exhibition at Ringsted Galleriet is based on a Danish plow field and its long lines created by the plow when the soil is broken up. She has mimicked this kind of “shading” of the landscape on the floor inside the gallery, with long black lines across the floor, so that the entire space becomes a form of mapping with a vibrating optical effect. She uses only the floor as an exhibition surface, just as agriculture also thinks in terms of horizontal surfaces. On the black lines, there are sporadic large rolls of photos with an earthy red color on the back. The photographs come from a local archaeological excavation at a scale of 1:1, and the reddish-brown color comes from the soil itself. The scrolls are familiar from Thorsen’s oeuvre, but here they are not hung on steel tubes, but lie directly on the floor like collapsed, exhausted bodies, splattering out a little while revealing a bit of their interior, in some places supported by red spare parts for agricultural machinery, like a piece of a plow. The concrete tools are contrasted by the more historical dimension of the excavations.The well-thought-out installation, which only takes place on the floor, manages to make the entire historical room (which used to house the Agricultural Museum) vibrate. The gaze enters the room in a new way, suddenly revealing the ceiling and its many damp patches and brown markings. The graphic lines can’t keep the organic dimension completely out of the picture, fortunately.” – Statens Kunstfond